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I did a lot of research about the community that she's a part of, because I wanted to learn more about other people's [experiences] while also making Tess individual in her own way. Herman: I feel like I have an old soul, like Annie and I'm an introvert. Deja, Annie, and Tess are The Other Big Three.

Cephas Jones: We're in a difficult time. Cephas Jones: The [reaction to William] was worldwide. He's doting to the point of annoyance, armed with a dad joke at all times, and fiercely protective of his girls. And so it's just a beautiful, beautiful thing that we got to do this together and through it, we got to really be great friends.

In the scene, I pick up one leaf and I'm trying to figure out how I'm supposed to eat it and they were like. Kelechi Watson: Lyric is just such an amazing actress. "It's like fertilizer, " she says. Who gives up on her dreams of becoming a dancer but finds a new professional passion in teaching dance. Everybody Loves William. That says a lot about her that's all I'm going to say [laughs]. That's the beauty of art and television writing. I think they were just there for us, which says a lot about them. Annie catches him and convinces him to stay. ] Watching Susan Kelechi Watson and Sterling K. Brown love each other on screen so fiercely, tenderly, faithfully, with admiration and affection but also conviction and conditions (it never feels like Beth is in this marriage out of obligation or duty) makes you believe that a love like theirs not only exists, but that Black love is our superpower. I hope they see something that really resonated with them. By the time we got on set, we knew it and we were just having fun with it. If we're going to survive, we're going to have to continue to love one another, find a way to love through our fears and through our anxieties and through our idea of separatism.

Randall is a family-first person that puts everybody before him, especially at his younger age. Cephas Jones: I always wished I had more time with those two, Eris and Faithe. She is a magnificent soul with kindness and empathy vibrating at her very fingertips. " And I could barely get out any words because I kept crying, and then finally it was just "well, you know what I mean. And Eris is definitely the youngest. "I was very fortunate to work with Michelle, " he writes in a Facebook message. It's so normal where I'm from. And I was just like, "Yeah, yeah. I think that was a big part of the show too, just showing life. It was just [Beth] trying to figure him out and making sure he wasn't going to bring Randall any more pain than he already had. It's no wonder Cephas Jones took home two Primetime Emmys for his work in the series. He takes on other people's emotions, I feel as if he's a perfectionist, but he does everything out of love.

There's millions of Pearsons. A lot of people went looking for their biological parents. It was not a thing that we ever discussed or talked about and still to this day, we don't. Deja looked up to Randall for that, not only as a dad, but as a blueprint of a man. It's always just been us really trying to be as honest as possible. I got to the point where I'm like, Is this whole acting thing really something that I should do?

Success only makes it more interesting to note the commitment director Olds and his producers maintained to casting local talent: not only filling the background with extras from the Bay Area, as with, say, Gus van Sant's Milk, but pushing the limit of how many featured and speaking roles could be populated with North Bay actors. Even with all of the show's twists and turns, devastating deaths, and time-hopping storylines, Beth, Randall, Tess, Annie and later, their adopted daughter Deja (Lyric Ross), persevere as a family unit. I was just excited to audition. For William, that's when she started to feel like my daughter-in-law that's really caring for my son in this beautiful moment. As for the role], I've heard a lot of feedback from former foster kids who are adults now and it blows my mind every time because when they tell me how spot on I was with every decision and every choice in the portrayal, it's incredible because these are people who actually went through it. People always want to minimise so that we can put everybody into a box and go, "Okay, I understand what that is. " Where you either did time or you made a choice based on your fear or your anxiety.

I was even talking to God about it like, "why isn't anything happening right now?. " So we just played that and we just kept playing with it. It was pretty amazing to me. She is one of those rare individuals who connects at the heart and once you're in tow, all you have to do is let go and go on the ride. Aside from her being amazing and just her talent alone, she's just a dope person. And he always asks how we're doing and how our parents are as well. And the whole room applauds and Eris just starts bawling and Faithe is getting teary eyed and I'm holding Eris and somebody was like, "Does anybody have any last words? " I was talking to [Danai] about it and then at the same time, I get a beep on the other line saying they [want you to read] for this untitled Dan Fogelman project. And somebody said, "That's a series rap for Lyric, Faithe, and Eris! "

Maxson proceeds to speak, quickly and with perfect enunciation, for 30 minutes, about art. Fitch: I'm glad that [race] was semi-addressed [with the teen storyline] because it was fully tackled with showing Randall talk about it with Kevin. So he said that it's okay to mess up and that's a part of learning. How is this going to go down? " Herman: Watching [Ms. Susan] as an actor and learning from her has been really great. It was a beautiful script, besides, I just thought it was perfect for me at the time.

That's how it was with them. Cephas Jones: When I got to LA, [Sterling and I] sat across the table from one another, we were already very familiar with one another because in New York we were brought together by Tarell McCraney, the MacArthur writer who wrote Moonlight. Or told us how to be Black. I remember seeing Sterling and Susan walk into the room before anybody else was there and they walked in like royalty. Kelechi Watson: I realised as [Sterling and I] were doing it, I was like, "Oh my gosh, this is our last scene, just you and I. " This is an oral history of the Black Pearsons, the show's best part. We're not real brothers in real life, we were put in situations where those conversations have made us [closer] so it was real cool. I think it was Season 3 and we were in the bedroom. And I can usually count on Sterling to be the sensitive one. I have also had to have race conversations with him because as I've gone through this experience [on this show] as a Black man, he's gone through it as a white man.

Because I was crying. And that's what we did for six years, we were a family and that was it. I made up some song about it. I'm really proud of the character that she was, and hopefully she could be a symbol for women who feel like they still have a dream that they want to fulfill and won't let any of the labels stop them from doing that. I'll see at the wrap party! Onscreen, playing an ersatz cult leader literally writhing in pain of his own creation, Kniffin is clearly eating his own character up with a spoon; he's great, and the role is great. There is no R without B. I hope [people] see some of themselves in it.

A flashback scene in Season 2, Episode 3 with Annie and William as he tries to slip out of the Pearson house the first night Randall brings him home. She's always coming for me about how I don't know any of the lyrics when we're singing songs. Beth has found her own path, her own way to fulfill her dreams while being a wife, while being a mother. Fortunately he was adopted by the right people who showered him with love, but also neglected to understand that there was a part of him that was longing for something. The result is a dyed-in-the-wool Northern Californian artist, with focus and skill to spare, in a complicated, challenging role. I had to cut my actual hair off to the short which was crazy especially for a Black 13-year-old girl. I was 15 — our relationship has grown a lot. At first glance, William Hill is the stereotypical Black dad of TV tropes past. We'll talk, he'll tell stories about theatre in New York, his life in the industry. Can you tell I love Beth Pearson? Herman (Annie): It was my first audition. And I had just finished doing Luke Cage. She's not a mom who lives blindly for her kids. A whole one (what a concept! )

We're still going to keep in touch, well they better keep in touch with me! So for me, what sums it up is love. And they gave us hugs and everything. Sure, it was the big, sweeping, gut-wrenching moments like William's final words to his son on his deathbed that got me, but it was also the quiet parts — like William meeting his grandkids for the first time or that time he and Beth got high — that profoundly shifted something inside me; that made me want to cling to the family I had, not just the one I was overly invested in on TV.

And that's what makes him so great. She's not the wife whose sole job is to support her husband. Herman: I can't imagine how nervous Lyric was but soon as we met her, it was so nice. At the audition] If I remember correctly, Sterling and Susan were there, Eris, Faithe, Ken Olin the director, and I think Dan Fogleman was there too.