10 Movies Like ‘28 Days Later’ | Thereviewgeek Recommends — Thompson Of Sorry To Bother You

July 21, 2024, 7:31 am

After finding a church, which had become inhabited by zombie-like humans intent on his demise, he runs for his life. 28 Days Later's eerie opening with Jim wandering about London is still one of the best film openings to grace the big screen. Variety of channels and packages available. The modus operandi is established early on in the movie's most well known scene. While the choice sacrificed video quality, it allowed for easy access to shooting around London in places that were only accessible for minutes at a time in order to accommodate heavy vehicle and foot traffic in the areas. This explosive start is followed by a solid screenplay and one of 2006's best films. Like the protagonist in 28 days laser eye. The crimson eyes sported by the "zombies" appear to take direct inspiration from those appearing on the eponymous living dead in The Living Dead at Manchester Morgue. So yeah, I love the idea and it's very appealing to me.

The Movie 28 Days Later

Twenty-eight days later, our protagonist, Jim, wakes up from a coma, alone, in an abandoned hospital. The infected were inspired both by real life epidemics - foot-and-mouth disease and mad cow disease - and recent anthrax and bio-terrorism scares in London. I am on the fence about it. I am just curious as to what everyone thought of the movie. Anything that will kill a human can kill them, i. e. riddling their chest with bullets that are *not* expertly aimed. Broken Bird: Selena has this attitude. Resident Evil wasn't the only franchise that explored the possibility of a virus that turned people into zombie-like creatures in the early 2000s. Wikipedia 28 days later. The same applies to Hannah, who backs the cab containing West straight into the entryway of the house, knowing that his infected soldiers will get him. Deconstructed Trope: - Of some popular zombie tropes. He's also the only one among the soldiers to begin to realize (or care) that Major West has gone completely batshit insane.

It really stands up, which is amazing for a film that's 20 years old. Downer Ending: Danny Boyle has stated that the "true ending" as opposed to of the Focus Group Ending of the final cut has Jim dying in the abandoned hospital after being shot by the soldiers. While the ending is left open to interpretation, I Am Legend is a compelling movie nonetheless..

In the dream he has been abandoned once again and the fear of being alone is thick in Jim's voice as he calls out for anyone, the scene repeating seconds of shots to disorient the viewer. Megan Burns, Hannah. Hannah's ability to drive and doing it recklessly. But the dip in video quality is also an important aesthetic choice, frequently lending the film a sense of grit and intimacy, similar to a CCTV feed. Of course, with the total exception of Sergeant Farrell, the rest of the soldiers are really just complete scumbags, with Mitchell being the most outright villainous. He is naturally reluctant to kill the zombie. See the Cast of ’28 Days Later’ Then and Now. Only One Name: Most of the survivors, as well as the soldiers. Then we learn that it's just his nightmare. High-Pressure Blood: The film incarnates the trope as Mailer. The reasoning was that George Romero's zombies were inspired by the fear of nuclear attack, while a more modern cultural fear was disease outbreaks.

He admits this to a girl that he had escaped a holding facility with, and plans to atone by becoming one of these, being that he's one of the few people alive (maybe the only one) who knows anything about the virus and has the best chance of curing it. She warms up once she's spent some time with the others, though. It's another layer of noise on top of screaming men and a soundtrack of shrieking guitars. Affably Evil: Major West. He winds up in an abandoned hospital again after being shot during the climax. 10 Movies Like ‘28 Days Later’ | TheReviewGeek Recommends. Mildly Military: The soldiers are doing their duty, but when they have free time, they tend to be almost childish in their behavior.

Like The Protagonist In 28 Days Laser Eye

For '28 Days Later, ' Harris helped develop a backstory for her enigmatic character with director Danny Boyle. The End Is Nigh: A bit of graffiti ◊ written on the wall, when Jim walks through London. Furthermore, the zombies never think to eat each other, and they starve to death en masse within a couple weeks. Wham Shot: As Jim lies on his back in the rain, hiding from the soldiers in the forest, he sees the contrail of a plane flying overhead. Sole Surviving Scientist: There is a tie-in comic covering events between both films with a scientist who played a role in the creation of the Rage Virus. With the world in ruins, 28 Days Later is able to pick apart assumptions we have about gender. It Looks Like 28 Months Later Is Finally Ready To Go. 28 Weeks later features one of the best movie openings of all time. Set six months after the initial outbreak that decimated England, 28 Weeks Later sees the US Army fly in and try to salvage the situation, occupying a small area in London to try to repopulate and take back control of the city. The DVD Commentary mentions that you can't drive a black cab without experiencing an irresistible urge to do this.

Stylistic Suck: The film was shot with cheap and disposable cameras to achieve its realistic look. Predatory soldiers play house in a setting that looks like someone turned Pride and Prejudice into a warzone. I. : Artificial Intelligence. This unfortunately produces aggressive, flesh-eating zombies who can only be killed by a well-aimed shot to the head. Karmic Death: Corporal Mitchell.

When he wakes up the world has been ravaged by a virus that's turned all of humanity into flesh-eating zombies. Bathe Her and Bring Her to Me: A variation. What would you give it as a rating? Bottomless Magazines: Played Straight when West's men defend their outpost from a sudden Zerg Rush of infectees.

Not Using the "Z" Word: The term "zombie" is never used in the entire film. It offers a wide range of channels and packages to choose from, including sports, movies, drama, and lifestyle. The movie 28 days later. 10 More Infectious Picks. However, almost all shows seen on Foxtel Now's channels can be streamed on demand at any time. Zombie on Fire: Some of the infected in the city keep right on chasing their prey at full speed even after being set ablaze by Molotov cocktails.

Wikipedia 28 Days Later

He can usually be found staring into the abyss on Twitter: @Wyeth_was_here. Token Good Teammate: Sergeant Farrell, again. Convenient Coma: Played with. This essentially serves as the prologue for the subsequent three parts to follow. Funny enough, Jim later kills Jones by bayonetting him. Then: Megan Burns had only one other acting credit to her name ('Liam') before signing on to play Hannah, the sweet daughter of Frank. Gallows Humour: When Jim walks around the deserted London, we see a bit of graffiti in a church; - Ghost City: The first two-thirds of the film take place in a mostly-abandoned London. Alternate History: Various indicators for the time, including tax disc on Frank's car dated February 2002. Got a question about Foxtel Now? Unlike typical zombies up to that point, the Infected were intelligent, extremely fast, and while they did bite and tear people apart, they didn't actually eat them. In addition, the blockade is said to be on the M602 motorway, which is an urban motorway to the west of Greater Manchester in real life. Together, they fight for their lives amidst a worldwide plague being unleashed.

Zombie Apocalypse: Only for Britain. Movies were only allowed if it was clearly a man in a monster suit. Then lets herself be killed by the soldiers pursuing them. Gruesome, funny and armed with some thought provoking questions about society as a whole, The Signal is a pretty good psychologically charged horror. Let Me Get This Straight... :Jim: No, no. If the sequel is any indication, it's because they're bleeding. Crazy Survivalist: Although Selena isn't exactly crazy (yet), she's incredibly ruthless and will leave anyone behind if they can't catch up, distrusts others, and openly mocks any plans for salvation. The story revolves around United Nations investigator Gerry Lane and his family.

Many would be surprised to find that 28 Days Later, a film which presents to its audience an experience that pretends to be nothing more than a horror film featuring armies of flesh-eating enemies, takes advantage of its setting and circumstances to make valuable points about gender equality. Upon my first viewing of the film, one quote stood out to me as proof of the film's deeper meaning: "If you look at the whole life of the planet, we, you know, man has only been around for a few blinks of an eye. It all builds into a thunderstorm climax where rain falls with the weight of shotgun blasts. The Signal that the title is referring to happens to be a mysterious transmission that turns people into killers, invading every cell phone, radio and television in the process.

In many ways, this movie bears some similarities to Castaway or Robinson Crusoe, playing on the mundanity of waiting for the inevitable. Apocalypse Anarchy: Apparently, suicide was more common than not, as was an increase in church attendance. Set in rural Britain, the story begins at a special school where these hybrids are subjected to cruel experiments by Dr. Caroline Caldwell. Inevitably, he runs into other survivors. After that, it was offered to Ryan Gosling, who also had to decline due to scheduling conflicts. Establishing Character Moment: Frank has absolutely fantastic one, in the very same scene explaining how he managed to survive for so long, what motivates him and what kind of person he really is. The only trouble is, the zombies here are lightning quick so headshots are not easy to pull off.

It's so wildly original too, that I genuinely had no idea where it was going to go, and my predictions were usually wrong. Quite honestly, there are so many things I never thought could happen that are currently happening. How the stars of 'Sorry to Bother You' spent their first big paychecks. During a discussion moderated by Kahliff Adams (of the Spawn on Me(Opens in a new tab) podcast), Riley explained how he wanted to show part of the human experience that media rarely represents authentically. As he grounds this aforementioned surreal reality he exists within in a way that allows we as audience members to have something to grasp onto as we're taken through this unpredictable bit of statement entertainment.

Sorry To Bother You About

With a run time of an hour and 45 minutes, it's a fast-paced wild ride that feels frenetic and energized, but also deeply controlled. 1 retirement challenge that 'no one talks about'. It's hard to describe Sorry To Bother You, Boots Riley's feature directorial debut, without using hand gestures. Those images are really strong, strong messaging and he was super [supportive] like, "Yea that's great. She is just trying to figure out the intersection of the art that she makes and activism and that's something that really resonates with me. A similar principle might be in order for Stanfield. ) Yet, while brilliant many of their well-thought out decisions were subtle and easy to miss. First Equisapien, Demarius. The result is a warped, war-torn vision of America that's nevertheless painfully recognizable as our invidious present reality. It's almost cartoonish in execution, but it works.

Sorry To Bother You At This Time

He's a free human and really free as an actor, really impulsive and available to himself and very childlike. The more honest thing is we don't always have the answers and when you admit that, then you're really available to the exploration. It's as if Dunder Mifflin was plucked from Scranton, Pennsylvania, and dropped into dystopian Oakland, with Lakeith Stanfield's Cassius Green as our protagonist. Sorry to Bother You Photos.

Sorry To Bother You That

Its CEO, coke-snorting, sarong-wearing, grandiose bro Steve Lift (played with visible glee by Armie Hammer) has built his empire on forced labor — and he wants Cassius to help him sell that. By the time the film came to an end it seemed it was this idea as phrased by a line in the movie that goes, "if you're shown a problem and have no idea how to solve it, you just get used to the problem" that really cuts to the heart of it all. This crazy ass evolution of the story could also be seen more metaphorically than as a literal way to say America is always sacrificing individuals and/or certain demographics for the sake of profit, but as the movie pretty much admits it seems it's meant to be that of a literal analysis. By its bonkers, tables-turning third act, Sorry to Bother of You has lost a bit of steam, a byproduct of Riley's more-is-more habit of overstuffing his stew with everything from repetitive party sequences to a tepid love triangle comprised of Cash, Detroit, and a righteous labor organiser (Steven Yeun). But even that horror movie ending is subverted. As the movie's costume designer, Deirdra Govan, told Glamour, Detroit's a self-made woman, and it feels revolutionary to see a female character express so clearly that she lives by no one's rules other than her own. I love how candid he is.

Thompson Of Sorry To Bother You Can

It's dangerous, dangerous stuff. Riley, a musician and artist best known as a member of political hip-hop group The Coup, has written and directed a work that's deliciously bonkers, and yet so relevant in the issues it seeks to tackle: politics, race, economic disparity, and gender dynamics. I don't think it gives you many answers. That works for her. " It's a world that's Black Mirror meets magical realism: It takes real, troubling issues and pushes them to their most absurd extremes. The movie is fast-paced and forward-thinking, overflowing with looks that flash by. We have institutions that are close to contractual slavery in certain aspects of cheap labor and sweatshop-like working conditions, but do you think something as extreme as Worry Free could ever exist? Cassius is pretty good at this telemarketing stuff. Both an office-comedy about the soul-sucking nightmare of entry level desk jobs, and a reality-bending sci-fi horror depicting the uprising of a half-horse half-human hybrid species -- it is designed to make you ask questions. Putting eyeliner on your lips, or putting stickers or pieces of jewelry on parts of your face where they wouldn't normally be applied. Personally, I was surprisingly willing to be along for the ride.

Thompson Of Sorry To Bother You Ny Crossword Clue

Cassius's White Voice. Published 1 Jul 2018. You're really actively trying to find what it is. Being a part of organizational efforts like #TimesUp was incredible. Did having those experiences make playing the role of someone like Detroit easier for you? While the latter makes questionable moral choices in the name of success, the former remains clear-eyed and consistent in her view of the world—and both of these character progressions are reflected in their individual fashion choices: Cassius's thrifted sweaters shift to slicker suits, while Detroit's statement earrings ("Tell Homeland Security We Are the Bomb, " one pair reads), slogan T-shirts, and hand-painted jackets remain a constant. Also the movie is fun.

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I really love the idea of shape-shifting as much as I can and it's really rare to get to find parts where you get to do that. He has this ability to just be like, "I don't know it all. " "He's an equisapien, but he's leading the fight. A major hit at Sundance that looks to be taking the sorts of artistic and activistic risks from which most filmmakers cower. It's the kind of movie you can't feel neutral about. The earrings were a complete standout. On its own, this could make for a fun movie. It's really refreshing to be around. Having learned and grown, Cassuis returns to his roots to live happily with Tessa Thompson's Detroit. I would happily have watched a movie about his striving to become a "power caller, " the ultimate RegalView telemarketer status that earns its standard-bearer a private gold elevator ride to an exclusive floor in the building. What is it you hope viewers take away from it? The party thrown by WorryFree CEO Steve Lift (Armie Hammer) was meant to incite the protagonists' turning point from complicit cog and into a union rebel.

WorryFree, the corporate answer to modern problems (stress! The film disorients viewers with a multitude of false endings. One of the other things the movie does so beautifully is talk about the power of grassroots organization, the power of young people. At first it seems all is well (mostly, except for the fact that exposing WorryFree only made its stocks go up). But it all kinda starts with me, so of course, it's easier when you have the baseline. Cash continually finds and loses himself over the course of Riley's deliriously entertaining and boldly polemical comedy by using this inner white voice – a pandering, cocksure, and squeaky-clean Dinner Theater squawk that actually belongs to actor David Cross – to become one of RegalView's highly-coveted Power Sellers, alpha-agents who reside in the lap of luxury by peddling something far more treacherous than book-sets. In true Michael Scott fashion, however, his prospective manager is impressed with Cassius' level of commitment and initiative, and gives him the job anyway. I was already familiar with her work, and going back and watching a lot of her work and learning about her—how much she put what she was dealing with in terms of her own life into her performance work—was really inspiring to me.

Stanfield's inherent gravity becomes particularly useful as Riley's script wavers in its focus with the mid-film emergence of a villainous CEO played by Armie Hammer, ingeniously cast as the bearded face of debauched capitalistic exploitation, and a plot reveal that gives grotesque, literal-minded meaning to the term "workhorse. " That's why Riley was sure to include that last beat where Cassuis is demanding justice. As a character, she's a moral counterpoint to Green's shifting values; as a woman, she's an example of opting out of society's beauty norms, standing up for her outlook in all things, and making larger-than-life creativity look achievable in the day-to-day. It's a very artistic approach to makeup that I've always found very inspiring. For him, the screen is clearly a funhouse, but the gonzo world that has been built upon it can only derive from an artist who sees his country, and all its horrors, with a gaze both sharp and clear. It's the former rapper's colorful story and critique on today's proletariat, socioeconomic mobility of African-Americans and the gentrification— which he refers to as the "cleaning"—of Oakland, California. We are so powerful when we work in concert and when we can put aside our differences for some greater collective good, and you see that in this film, particularly towards the end.

The most hair-raising comedy of the year, or else the most side-splitting horror movie. "Even 'hung like a horse. How was it working with Lakeith? We have the ability not just to reflect the culture in which we live but to create it, change it, shift it, start cultural conversations. And there's this idea of when you're an adult, it's an appropriate way to be when you wanna be taken seriously, and I don't think Lakeith cares about any of that. The more you're making work that is about your own experience, the more the people ingesting suddenly seem so far from you.

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