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You've got to feel sort of sorry for the guy; although Mascherino has come under fire from a lot of TBS fans (and TBS themselves) because of his departure to form the awful The Color Fred, he was still well-liked, and he performed excellently during his time in the band. That look was priceless. While bands like Thursday and Brand New are growing up and out of the trends they were responsible for setting in motion, raising the bar on themselves and the bands around them, Taking Back Sunday seems content to rest in the laurels of their mediocrity, proving the band that was the most successful at ripping them off was themselves. "Cut Me Up, Jenny" plods without much to keep it interesting, but it isn't anywhere close to being skip-worthy, and "Catholic Knees" brings nothing new to the table, but it's short enough to avoid wearing out its welcome. The obligatory acoustic song is painfully bad. While the last album's lack of maturity could be blamed on the band being re-formed, they've been a single group now for long enough that there should be some sense of growth. Writer(s): Edward Reyes, Mark O Connell, Adam Lazzara, Matthew Rubano, Fred Mascherino. In that regard, New Again is business as usual; Adam Lazzara still owns the microphone, the lyrics are still sarcastic and clever and biting, and the instruments are still played simply yet competently. Call Me in the Morning. There are big distractions with the production; everything seems like it was played an octave too high, and the usually hard-hitting drums are muffled behind overdriven guitars and too much attention on the vocals. I'm not saying that Louder Now is always bad, but I am saying it's getting old and pretty boring. When there was talk that the band was returning to their 'roots, ' it seemed encouraging.

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You had your chance. Owdance on the Inside. "s, but quickly picks up with the album's catchiest chorus (with handclaps! Songbooks are recovered. "Spin" also manages to bring back the energy that the band had with "Blue Channel. " The album name rather obviously refers to the fact that Taking Back Sunday have suffered yet another guitarist/backup vocalist change, their third in four albums. With some songs on Louder Now, like "Miami, " the verses seemed haphazardly thrown together as simple segues into a catchy chorus, and while it was still a great album, it did feel like Taking Back Sunday were settling into a rut and riding on their past success. Best Places to Be a Mom. You catch on quick (you catch on quick). Cue a dramatic Livejournal-traumatizing split with guitarist and backing vocalist John Nolan and bassist Shaun Cooper, the release of the incredibly underwhelming Where You Want to Be, and fast-forward to the "louder" Taking Back Sunday, debuting on Warner Bros. Records with Louder Now. Tell All Your Friends set in motion a plethora of Taking Back Sunday rip-offs whose albums were nothing but plagairized half-screams and lyrics that gave suburban kids a false sense of tragedy in order to justify their silver-spoon lives. Liar (It Takes One to Know One). The magnification of the vocals only emphasizes the fact that this album can't hold the weight of its predecessors in the lyrical department. What's It Feel Like to Be a Ghost?

"Sink Into Me" starts off shakily with staccato "Hey! However, Louder Now's best songs seem stronger than anything on New Again, or they were at least more immediately gripping. "Everything Must Go" is one of the best Taking Back Sunday songs ever, with a similar role to "I'll Let You Live" as the album's "epic" closer in terms of length and a slow start leading to a climax. Set Phasers to Stun.

Site is back up running again. There are going to be a lot of jokes about how this album is called New Again and how Taking Back Sunday still sound basically the same as they always have, which is unfortunate because it isn't really clever at all. Well this is phase one. Taking Back Sunday (2011). Other than those two songs, everything else is strong.

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Don't act like you can't see me coming. Woring on getting search back up.. Search. With 2002's infamous Tell All Your Friends, Taking Back Sunday set a pretty high bar for the post-hardcore pop-influenced genre that everyone decides to call emo. I will say that I still stand by my one-star review of WYWTB. Sure it's rough around the edges. Taking Back Sunday finally feel like accomplished, skillful songwriters instead of a band driven by a few clever lyrics and a sarcastic delivery. They give the same review (you catch on quick). Number Five With a Bullet.

Timberwolves at New Jersey. Clinically dead and made it All that much easier to lie. The single, "MakeDamnSure, " isn't what I'd call amazing, but certainly has learnings of a day when TBS could construct a wonderful pop-punk song, hopefully being a good introduction of things to come. "Miami" is terrible. And it still suits you the same. The title track fittingly kicks things off, and Taking Back Sunday sound more sincere than ever.

It's the only thing you see. The rest of the album faults the same way Where You Want to Be faulted. Lazzara's vocal performance is his best since Tell All Your Friends, and the pacing of the song is utterly fantastic. "Lonely, Lonely" continues the string of strong songs, and it sees New Again falling into one of Louder Now's pitfalls - top-heaviness. On New Again, there is Matthew Fazzi.

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New Again feels focused and sure; the band sounds confident despite yet another lineup change. Faith (When I Let You Down). The re-done bridge and the slight production really put this song into the "Would be fun as hell to see live" category. If Louder Now's "Spin" redefined "driving" as an adjective, then "Sink Into Me" gives it a new new. The good news is that with the re-recorded "Error Operator, " the band has finally delivered a song that can match the bar set with their classics like "Cute Without the 'E'" and "Ghost Man on Third. " Happiness Is (2014). Part of what made the production on Tell All Your Friends was the constant assault of two guitars, two vocalists, amazing drums and usually changing-up bass-lines.

In terms of how New Again fits into their discography, it's not as good as their first two albums, but it is more consistent than Louder Now. "I'll Let You Live" has potential, but is muddled down by never finding out what kind of song it wants to be. Lazzara lets the lyrics do the talking as opposed to putting any sort of aggression in his voice and the song is better for it. Making an example out of you. Oh that this is where, where the party is. A Decade Under the Influence.

There is a disconnection between the vocals and the music that makes the album hard to listen to. So that's New Again, and it's perfect. Their sound, somewhere between Thursday and Saves the Day, caused a figurative explosion within the scene. The songs, for the most part, involve a couple verses, a few choruses, and a breakdown featuring overproduced or near-whispered vocals for 'effect. ' To be honest, the first time I listened to this album in full I found myself bored with a majority of it.

You're So Last Summer. There's No 'I' in Team. Where You Want to Be (2004). Divine Intervention. Open arms reject assuming hands.