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Completely spacious. "Profile: Laurence Gartel, " Rangefinder Magazine, Santa Monica, CA, 7/99 (COVER). My fresh and (forever) giddy reminiscences of working with the eclectic electronics... the mesmerizing weirdness of being immersed in the time-space of the ETC Studio... - Eclectronic Trajectories: The Experimental Television Center (). The ETC residents living in Owego most often kept to themselves. Clark, Laurie Beth - Un/necessary percent. Jason Castriota, Designer of the Ferrari 599 and Maserati Gran Tourismo wrote the Introduction to this prestigious and collectible book. "NY Art Review, " Les Krantz, American References Publishing Co., Chicago, IL., 1988, p. 579. It was probably the first time I'd heard about video art and I found the place very interesting. Inspiration can come from outside sources. Rohesia Hamilton Metcalfe. Transportation on Images, John Wayne International Airport, Orange. Gartel is also included in the books " Creative Computer Graphics" Cambridge University Press, UK 1984, " Art Of the Digital Age" written by Professor Bruce Wands" and published by Thames and Hudson, 2006, as well as "Digital Art" published by Ullman, Germany 2009 and "The Digital Print" published by The Getty Museum, Malibu, California 2009, "THE WORLD OF DIGITAL ART" published by HF Ullman, Germany, 2010. Art historian Pierre Restany wrote the Introduction to the book. ETC: Experimental Television Center 1969-2009: 5-DVD Anthology + Catalogue. Hammer, Barbara - T. - Hammer, Barbara & Levine, Paula - Two bad daughters.

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He was the "FEATURE" of the 113th New York International Auto Show with his own 30, 000 square foot Pavilion in 2013. "Any artist understands that their first attempts are always going to be their strongest" Gartel explains, "I think the real discussion is about how hard it was to make a picture. Torsten Zenas Burns.

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"Fine Artists Guide to Marketing & Self Promotion, " Julius Vitali, Allworth Press, NY 1996, pps. Buchanan, Nancy - The work of art in the age of electronic reproduction. Laurence gartel experimental television center.com. "GARTEL:" DOCUMENTARY – Private Preview, Cinema Paradiso, Ft. Lauderdale Film festival, 2003. GARTEL: MILANO ART FAIR, Milan, Italy, 1999. Over time I utilized the talent of over 110 people in works which were exhilarating, bizarre, chic, and mesmerizing.

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During the summer of 2001, I participated in ETC's International Student Residency program. The response was expected, "we have several of the films, but most are lost to decay and time. " This hinged primarily on restructuring well the camera-original footage I brought in, which depended in turn on its intrinsic worth. We now find ourselves fully immersed in era directed by mass media, technology and very sophisticated mimetic engineering, such as viral branding, thanks to the internet. I sent the film to a professional restoration company in NYC. Peer wrote a wonderful essay on his experience at the ETC, please read it. "Siggraph 98 Exhibition, " Association for Computer Machinery, NY, p. 74. Laurence gartel experimental television center for the study. "GARTEL: Exotic Electronic" Lurie Gallery, Studio City, California 2008. They reveal fragments dripping with America's excesses, dominance and extreme addiction to consumerism.

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My work evolved with the tools. All my plans for things to do changed as I started working with the equipment; it focused them and I spent months editing the results to ultimately be dissatisfied with my ability to shape them into what I could see was possible, but just out of reach. "Computer Art, " LI Newsday, Aileen Jacobson, NY. Laurence gartel experimental television center new york. DVD: "GARTEL: FERRARI, " Installation - Release, FALL 2008. Karen Helmerson Program Director Electronic Media, Film & Visual Arts New York State Council on the Arts To enjoy a sampling of our important collaboration, and how these initiatives have grown today, please visit: - New York Media Arts MAP. Palazzo delle Fontane, Rome, Italy, 1997.

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It was a goal, it was a desire, it was a passion; it was a straight line. "Love at First te, " Alexandria Daily Town Talk, LA, Alice Story, March 1995. Phase shifting the black bursts through the Colorizers, impossible, Whoops, it's time to meet Sherry at Dunkin' Donuts. WPPI, Las Vegas, NV, 1999.

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DVD MUSIC/ART RELEASE: "GARTEL: INDIA" Release: Spring 2007 -BUDGET: $95, 000. Burn the whole fork, and enjoy both ETC impulses, BTC avulses, P(aik)TC propulses, L(oVid)TC convulses The medium is validated while the message is encrypted. It was a community of people interested in experimentation and discovery. Most of the vehicles he captured were not found on the streets of New York. Gartel's work is highly competent, extremely informed, and supremely cerebral. Bronx Community College, "Video/Computer Art, " Bronx, NY, 1985. Happy 50th Anniversary to ETC!!!!!!!! Formal training in art can have the effect of narrowing one's viewpoints. It just cannot happen in today's world. "Computer Artist Creates High Voltage Artwork" Joan Altabe, Sarasota Tribune, FL, 7/26/92. ART FAIR: Art Multiple, Dusseldorf, Germany, 1996.

Laurence Gartel Experimental Television Center.Com

From the ever-empathetic indulgences Sherry and Ralph Hocking, not only was I fully able to express the halcyon inner hot house bouquets of my heart and soul, but also was allowed to bring them into full bloom. It was the precursor for every person who walks into an Apple Store. Channel 20, West Palm Beach, FL, 1995. Video Feedback was a technique that involved pointing a camera into a monitor displaying the cameras picture. Hollis suggested that film art (the moving image and sound art) was superior as it incorporated the codes of all the other arts AND that film art was 20 years ahead of the painting and sculpture arts. I tended to work quickly at ETC in general; years before, in 1967, we had built a music synthesizer with VCO, VCA, etc. Digital Art Gallery, and Information Visualisation, London, England, 2004. We moved to Binghamton, NY in 1973. and began working in 1975 at The Experimental Television Center in Binghamton and Owego, NY, with video, synthesizers, guitar and the Theremin. The Amiga ushered in a brand new paradigm for personal computers and one that was truly an artists tool. Matrix patching was less user-friendly, as patch cords are the norm in audio studios and enable easy grasp of signal paths. Rocco, Ron - The Berlin diary. During those days, David had a work space in the building and Peer was the one who spent patient hours teaching the system to residents so they were always around.

Sprint – National phone card. GARTEL lived in Italy for two years while working on his book, "GARTEL: Arte & Tecnologia" published by Edizioni Mazzotta, Milan. The last years GARTEL has spent focused on high end SUPER CARS. Does this sound like life? I spent many late nights in a number of residencies at the Experiment TV Center learning from Hank Rudolph the equipment and patch basics that enabled me to create exciting and unique image processed footage. This impact is why I feel these residencies were absolutely essential to me — without them my work would look very different. As I used all this gear my technical education took a giant step, for which I have been grateful. Miami culture, especially prone to spectacle and feverish hype sees opening and closing parties being almost indigenous to the culture where "A" listers swoon to be photographed on red carpet (art) events.

I have those first day of art school drawings at arms distance. Commerzbank, Frankfurt, Germany. Gartel's digital collages provide an extraordinary survey of America's social history as complex and multi-layered portals. Kodak Corporation, NY, "Research Grant". "Computer Art, " Miami Herald, Elisa Turner, FL, January 1991.

"Leonardo, " Digital Salon exhibition at the School of Visual Arts, NYC, November 2000. Prior to moving to Florida, Gartel was down for several visits. The Introduction is written by Jason Castriota, Designer of the Ferrari 599 and Maserati Gran Tourismo. We were reacting to the screen, just the surface of the screen. Social media permits a global audience to indulge in a saturation of mediocrity where anyone can be star. "Mouse Almighty, " New York Times, Nicole Cotroneo, NY. I'm the proud owner of a thousand happy mistakes I made in all those all night sessions as an ETC Artist In Residence. Without the Experimental TV Center, my video art ideas would not have come to fruition. "Sotheby's Preview, " "Scientific America, " "WIRED, " "Art and Antiques, " "Technology Review, " "NY Magazine;".

It's my white whale. I am including a photo of what I looked like at the time I started art school. Aiming his still camera at the screen he captured an electronic instant; a wild, colorful, distorted and compelling instant. Mercedes Benz commissioned GARTEL to create a very special Art Car to celebrate their "13th Million Friend on Facebook. Jimmy Star Fashion Designer, - Promotional material and national advertising campaign. GARTEL MERCEDES ART CAR 2011. I was just a 'user. '

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