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Star Trek: Wrath of Khan makes for a warmer movie that still features huge amounts of drama. That's all pretty heavy for a children's movie. Return of the Jedi does a rare thing for a trilogy closer: it picks up all the loose story strands and offers a properly satisfying conclusion to everything that came before.
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Aliens is the textbook example of how to make a perfect sequel. Favouring affecting, emotional drama and the discussion of big questions over lasers and explosions, Arrival's maturity and sophistication – highlighted by some fantastic lead performances, namely Amy Adams (robbed of an Oscar nomination) – made it one of the best movies of 2016. So, which title takes the number one spot? Adapted from Ted Hughes' story, The Iron Giant sees a colossal alien robot crash near a small town in Rockwell, Maine, in 1957. Needless to say planet Earth was smitten. What happened to chris and jeff on junkyard empire romain. There's no beating perfection. Alfonso Cuarón directs a sombre, dystopian sci-fi that dazzles with its visual flair, including an awe-inspiring one shot as Owen's character runs through the desolate streets of Bexhill-on-Sea. It's not long before the fly DNA starts to take control. From the opening scene right up until the final moments, writer-director James Gunn's love for the material is on brazen display, every frame oozing with soul. Is this just fantasy? Stalker has, since release, become a classic of the genre – and one seeking out immediately. There's no super-strong lead; no laser-eyes villain; just a rag-tag team of goofy friends saving the universe.
The Iron Giant offers two things: the movie treats kids to an emotional, heartfelt, and exciting story about an unlikely friendship. Star Trek: Wrath of Khan. One of the most iconic and influential sci-fi movies of all time, 2001 still feels incredibly modern today, thanks to its incredible cinematography and practical effects. Scarlett Johansson stars as a perplexed extraterrestrial disguised as a perplexed young woman, who ambles around the Glaswegian streets luring men into her Transit van. But this is Jonathan Glazer's point: weird shit can happen anywhere, so why not there? The visual effects – including a serious amount of wire-fu and slow-motion bullet-time – stands up remarkably today, despite being over 20 years old. What happened to chris and jeff on junkyard empire ottoman. While its sequel had the bigger budget, it's impressive to witness the ingenuity of the production, giving us a tightly-plotted thriller with some of the best '80s set pieces. Don't go in expecting a dense plot or a clearly-outlined goal. Nine-year-old Hogarth discovers the robot and the two strike up an unlikely friendship. A savage satire of excess (that simultaneously revels in the very same), RoboCop is as hilarious as it is heartfelt; as smart as it is filled with splatter. This creature represents a multilayered, bottomless pit of psychosexual horror, its very form praying on a raft of primal terrors.
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There's intense paranoia as the party begins to fall apart as the infection spreads, but it's the very real, oh-so-touchable nature of the nasties at work here that's so disturbing. The movie's twisting, looping, self-aware causality is a fantastic feat of writing, pacing, and wit. Children of Men really is a parable of things to come. Read more: The 25 best superhero movies (opens in new tab) of all time. Yet, look past the real-life drama, and The Abyss makes for a wonderful sci-fi movie that features Cameron's recognisable flourishes – tough-talking military figures, world-leading (though now slightly dated) CGI, and a hugely heartfelt story. What happened to chris and jeff on junkyard empire motortrend. Messing with dinosaur DNA and hiring incompetent IT staff was never going to end well, but at least it makes for a cracking movie. In short, this is the definitive guide to all big-screen sci-fi worth your time.
Brazil's surreal, dreary dystopian setting is as much a character as anyone in the movie. Dom Cobb (Leonardo DiCaprio) is an 'extractor' who normally steals sensitive ideas from his targets' minds, but must now plant an idea in the head of his latest mark. Steven Spielberg's original trek back to the time of dinosaurs is one that has been beloved by fans for decades since and has spawned many, many sequels, though none compare to the original. The second of the director's output to appear on this list, Arrival blends the arresting spectacle of alien contact with the intelligent, distinctly personal story of a linguist recruited to find a way to communicate. Denis Villeneuve does. And, of course, turning the first movie's villain into the protector of John Connor is a stroke of genius – all praise James Cameron! This is a haunting exercise in painting a mood. If you're after some family-friendly titles, there's also everything here from the original Star Wars movies and Back to the Future to a handful of Marvel flicks and Pixar's WALL-E. During his stints, he lurks into the more treacherous parts of humanity… so naturally, Jared Leto's there. Brutal, brash, bloody, and brainy to a deeply deceptive degree, RoboCop is everything great about the decade in one 102-minute salvo. And with so much iconography crammed into its runtime, it's hard not to have Robert Zemeckis' movie on a list of best sci-fi movies of all time.
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But hey, with a big enough budget and cajones, why not give it a try and see where you end up? Quite a phenomenal year. Keep reading to find out our ranking of the best sci-fi movies of all time. Jonathan Price plays Sam Lowry, a miserable worker at the Ministry of Education desperate to break free from the shackles of a totalitarian regime. Every Star Wars movie since has been measured up against Empire, but none have been as shocking, or including such a phenomenal cliffhanger. Terminator 2 remains a masterclass in making things bigger and more mainstream without losing the infectious hook of the original story. Meanwhile, adults get a poignant fable of Cold War paranoia, where understanding and kindred spirit battled fear and suspicion for decades. Guardians of the Galaxy. Blade Runner (a regular presence on all best sci-fi movies lists) uses its high concept – a man trying to work out whether other "people" are actually robots known as replicants – to deliver a deeply moving tale that asks questions of humanity in a nihilistic, synthetic, commodified universe.
The 2014 remake attempted similar levels of social commentary, but without Verhoeven's twisted sense of humour, missed the target. No movie sums up '80s sci-fi action cinema quite like RoboCop. Want more best movie lists? A cold, washed-out Glasgow is an unusual location for a cerebral sci-fi flick. While both Blade Runner movies are stunning, atmospheric works of deep intelligence and profound emotional impact, the original remains the unmoved classic. Watch it once, and you'll have a bloody good time. Ostensibly the tale of an honest cop in a decaying future Detroit brought back to messianic, cybernetic life after his excessively gory murder, Paul Verhoeven's masterpiece is a movie with serious layers. However, if you've ever been worried about being trapped in a dream inside a dream, this may raise those fears tenfold.
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And really, when is Star Trek better than when it puts the crew's humanity front and centre? On a basic level, the majority of 2001 centres on a team travelling through space, only for their robotic command centre to turn evil. Guardians of the Galaxy is the only superhero movie to make this list. Ruthless and ferociously intelligent, Khan's re-emergence forces the trainee Enterprise crew to rally harder than ever before, raising the personal stakes to new highs.
Yet, around that, we also see the birth of mankind and our own evolution into something greater. The producers took this to heart, as they hired Nicholas Meyer (Time After Time) to direct a feature film that doubles down on the thrills. Well, that's because James Gunn's silly and irreverent take on the genre barely counts as a superhero movie at all – but a science fiction space adventure. Sigourney Weaver's Ripley returns – and if there was an Oscar for best performance over the course of multiple movies, the actress would surely be a shoe-in. When they find the wreckage, they discover something truly unexpected. Do not – and we cannot stress this enough – watch on a mobile phone or laptop. While, at its core, Blade Runner is a detective story, the layers go so much deeper. Director Michel Gondry's second feature collaboration with Being John Malkovich writer Charlie Kaufman is exactly what you expect from that combination of talent: a sweet, funny, heartbreaking, and maudlin wonder. There's a lot that happens: peace is brought to the galaxy (for now), the Emperor is defeated (for now), Han and Leia get together (for now), and there's a huge battle over Endor that's still mindblowing today.
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Plus, the visual ambiguity of Scott's direction during the final act is an absolute masterclass in 'What's that in the shadows? ' The way the film jumps between the fight between father and son, to the ground war of Stormtroopers against the Ewoks, to the space dogfights led by Ackbar and Lando, all without feeling confusing – that's masterful editing. And admit it, you loved the Ewoks and their yub-nub song. The first of four James Carmon movies on this list, The Abyss makes for an exciting – at times terrifying – underwater adventure. Every frame is a wonderfully detailed painting, and you need to get this on the biggest screen possible – whether TV or projector. Wrath of Khan reaches into the Original Series' history to find a villain – Khan – who's more grounded and intimidating than the vast majority of Star Trek's other antagonists. Naturally, things go wrong when his DNA becomes spliced with that of a fly's thanks to a problematic trial. Or are we stuck in a simulation and being harvested for electrical energy by an alien race who have taken over earth, and only The One can save us all? Almost every original animation produced by Pixar has been a groundbreaking classic. Terry Gilliam's slapstick homage to George Orwell's 1984 sticks two fingers to The Man over and over, all while telling one of the wackiest stories ever committed to celluloid. And, just in case you forgot, Robert De Niro shows up for one of his more low-key, somewhat baffling roles.
Yes, there have been countless sequels, TV shows, comics, and video games set in the Star Wars universe, but none of them can quite compare to the original. The dread goes much deeper than teeth and claws though. The title might be hokey, but The Thing remains one of the most gloriously splattery and tense horrors of all time. Every stage of Goldblum's transformation into the fly is gross – and you'll never be able to look at a doughnut the same way ever again.
Star Trek: The Motion Picture, the first big-screen Star Trek adventure, was an epic and existential take on the series – and one criticised for not featuring enough action. Gilliam certainly has a knack for exquisite put together sci-fi (spoilers: we'll be seeing him again on this list shortly). Thanks to a mix of large, intricate puppets and CGI dinosaurs unlike anything the world had seen before back in 1993, the special effects feel like they haven't aged at all. E. remains a perfect slice of storytelling, and if you still have a dry eye come the closing credits, you're officially heartless. In a totalitarian society, a shaven-headed guide known as Stalker (Aleksandr Kajdanovsky) escorts a writer and a scientist to the forbidden region of "The Zone", where all one's wishes can allegedly be granted.