Let The Right One In (2008) Starring: Kare Hedebrant, Lina Leandersson, Per Ragnar - Three Movie Buffs Review

I will not go into the relationship Eli has with an unsavory middle-age man named Hakan (Per Ragnar). She is seen wearing boots in one scene with Owen, after she completes the Rubik's cube, but it seems she was just wearing them to make Owen feel more comfortable around her, as he noted earlier how weird it was that she went barefoot in the snow. While the other two bullies enjoy torturing Owen, they at least temper their abuse so they can get away with it. Throughout the scene you can hear the sound of wings flapping, Abby was never shown to have wings when seen in vampire form so the audience can only guess what she looks like as she kills the boys. For Kenny, pretty much anything Owen does seems to send him into a violent rage, to the point that seeing Owen happy makes Kenny genuinely furious. The girl is rather aloof, but she tells Oskar her name is Eli. Let the Right One In is a novel of vampire fiction by Swedish writer and performer, John Ajvide Lindqvist. Another one was Owen being able to buy a knife at only 12-years-old, which would not fly as easily in the post-Columbine society. Must Be Invited: The movie universe takes this rule very seriously. It's too slow, however, which undercuts the urgency of Oskar's jeopardy with the bullies, which is the story's main conflict. Thomas, he's treated like a slave by Abby and he endures a lot of verbal abuse from her without complaint. When his bullies approach him, he closes his eyes, lifts his chin to the sky, and succumbs to pain. The scene has no dialogue, so I am not sure what that scene means.

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It is not intended for 12-year-olds. He writes: "I'd even go so far as to say this would make a great date film. Oskar is cruelly bullied at school by a sadistic bully, who travels with a posse of two smaller thugs and almost drowns him in a swimming pool. Here she kills them all. He even seems somewhat disgusted by what she had become. So my problem is, why include that scene at all if you're not going to explain it? The movie alludes to our feelings on the subject of unrequited love and the true definition of humanity. Earlier in the film, Kenny snaps a wet towel into Owen's eyes.

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Sep 15, 2013Jeez, I've heard of taking sides, but come on, people, what about the left one? She's seen drinking or holding a glass of wine in almost every scene she's in. The Bad: Abby, while she doesn't derive any pleasure from it and she's required to drink human blood to live, she still kills scores of innocent people throughout the film. It's obvious he loves causing Owen as much pain, mental and physical, as possible and as frequently as he can.

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In the novel, Håkan is sexually obsessed with her and says he would gladly kill for her for free if she would love him. Later in the film, Owen asks Abby, "If you're not a girl what are you? " But when Oskar faces his darkest hour, Eli returns to defend him the only way she can... Director: Tomas Alfredson. The scene in the cellar. She is completely ignorant of her own son's life.

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We learn that a vampire must be invited into a room before it can enter. This US-based remake by Matt Reeves (best known for his film, Cloverfield) called "Let Me In" has just been released. Most of the killing happens off screen, but it remains an amazingly scary piece of imagery. Satanic Panic: Appropriately for the '80s setting, the police office believes Thomas may be part of a satanic cult. The scene immediately occurred after Abby and Owen reconciled their relationship before being interrupted by his mothers entrance into the apartment. Flight: Abby claims to be capable of flight. The only adult character who's useful at all is Mr. Zoric the gym teacher. In other words, they're an outcast's fantasy come true. If Owen, a scrawny boy, can hold his breath for 3 minutes they'll simply cut his cheek, if he fails they'll gouge one of his eyes out. What he doesn't realize is that she is a vampire and her "father" is actually her human guardian who begins committing a series of murders to keep her supplied with blood.

Danger Takes a Backseat: One of the most intense sequences in the film has Thomas hiding in the backseat of a car in order to kill someone for Abby to feed on. The Quiet One: Owen is a very quiet boy. Oskar reaches forward and taps out in Morse the word "P-U-S-S", which is Swedish for "love" or "small kiss". For example, their first scene in the Swedish version consisted of flicking Oscar's nose, while in this version they whip Owen in the eyes with a wet towel before attacking him until he wets himself. Owen, on the other hand, is more proactive in defending himself, the second he realizes the bullies are going to attack him again, he bolts out of the pool and runs towards his locker to get his knife. It seems to have an undercurrent of the "born a man" line which trans women after get tossed at them. The young actors are powerful in draining roles. The vampire in this story, Eli, is not sexualized at all, but rather de-sexualized. Footnote: Jeremy Knox of Film Threat likes the film as much as I do, but comes from a different place. Heroic Sacrifice: Thomas, when his attempt to kidnap another man for Abby goes wrong he ends up crashing the car he was in and people start to close in on him, knowing he's about to be caught, and not wanting to be interrogated or ID'd as it would risk exposing Abby, he proceeds to empty a bottle of acid on his face. Depending on how you interpret the end of the film, that could also be the future fate of Owen. Lindqvist's book became hugely successful in Sweden and, eventually, in Europe as well. Adaptational Jerkass: Jimmy is much more of a Big Brother Bully here, mocking Kenny for his injury, and basically threatening him into giving him his keys, which he seemed a lot more casual about in the Swedish film. Fight Unscene: None of Abby's massacre of the bullies is portrayed the audience hears is their screams.

Morality Pet: Owen to Abby. Throughout the film, Abby shows herself to be an extremely ruthless character, willing to send Thomas out to kill people, treats Thomas like a slave and is willing to kill people herself to stay alive but she is kind and protective towards Owen. Eerie Pale-Skinned Brunette: Owen, despite being a normal human boy, is extremely pale. Eli even eats a candy bar that Oskar buys for her, and though she knows that it will make her ill she also wants for him to feel happy. Secondly, Owen's suffering is much more pronounced in this version. Photos © Copyright EFTI (2008). Eli has a faint scent almost of a... corpse.

All of the visuals in the world don't make a good movie though. In the moments afterwards, he seems to retreat to the same state of passivity as he does in moments of pain, mouth closed, eyes to the sky. Another night, Eli lures a local man under a bridge and attacks him, feeding on his neck. People thought that way about me once, too. Oskar and neglected "child" EliPut the body back in the casket. He's a quiet, lonely boy whose parents are divorced. This is distilled from the book where there was an ongoing series of events to get there, but this is the same level as from the Swedish film.