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Speed, Murray Art Museum, Albury, Australia. Cars: Accelerating the Modern World, Victoria and Albert Museum, London, UK. 'Photo Files: An Australian Photography Reader', Power Institute and ACP, Sydney, 1999, pp. Colless, Edward, Patricia Piccinini, Art + Text, no. Rheinschau Art Cologne Projects, Art Cologne, Cologne, Germany. Beare, Michael & Welfare, Phillippa, Just Imagine, Wollongong City Gallery, 2008, pp. Lucy doll and penelope kay. Hill, Peter, Cameras, Lies and Photographic Exhibits, The Bulletin, 18-Sep-1996, p. 100.

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Rooney, Robert, Arts on Friday: Art=Advertising, The Australian, 15-Mar-1997, p. 12. Obsession: Devil in the Detail, Mornington Peninsula Regional Art Gallery, Mornington, Australia. Larson, Kay, Beautiful Mutants, Art News, 44233, pp. Glass, Alexie, Patricia Piccinini, res, March-April 2003, p. 43. Otto Letze, Nicole Fritz, Almost Alive / Kunsthalle Tubingen, Hirmer Verlag, 2018, pp. Another Life, University of Quebec Art Museum, Montreal, Canada. Living Apart Together, Odapark Venray, Venray, The Netherlands. Prism, Bridgestone Museum of Art, Tokyo, Japan. Techne, Perth Institute of Contemporary Arts, Perth, Australia. Lady penelope doll to buy. Waverley City Gallery, Melbourne, Australia. T. M. G. P., The Basement Project, Melbourne, Australia. Yamagata, Hiroo, Essay in 'Atmosphere/Autosphere/Biosphere: Works by Patricia Piccinini', Drome, Melbourne, 2000. Stanhope, Zara, Mapping the Code: Artists Conceiving Data-bodies, Mesh, no.

Since the Accident, The Basement Gallery, Melbourne, Australia. Natural Selection (Australian Perspecta 1997), Museum of Contemporary Art, Sydney, Australia. Long Live Sculpture, The Open Air Museum for Sculpture Middelheim, Antwerp, Belgium. Lucy doll and penelope kayak. Perfection, Science Gallery, Dublin, Ireland. Science Fiction/Social Fiction, Galerie Der Stadt Schwaz im Palais Enzenberg, Austria, Australia. Griffith University, Queensland, Australia. Richard Perram, Beyond Belief The sublime in contemporary art, Bathurst Regional Art Gallery, 2017, pp. Deborah Robinson, The Nature of the Beast (Exhibition Catalogue), The New Art Gallery Walsall, 2012.

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Peter McKay, Patricia Piccinini, Curious Affection, Queensland Art Gallery Gallery of Modern Art, 2018. Elizabeth Finkel, Cosmos, Cosmos Media, Melbourne, Issue 77, 2018, pp. 2112: Imagining the Future, RMIT Gallery, Melbourne, Australia. Post-humanist Desire: Sexuality and Digitality in Contemporary Art, Museum of Contemporary Art, Taipei, Taiwan. Australian Print Workshop - Maggie Finch, New Australian Printmaking - Intimate Lines, NGV, 2022, pp.

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Cycle in Cinema, University of NSW, College of Fine Arts, Sydney, Australia. Lynn, Victoria, Patricia Piccinini in 'Face Up: Contemporary Art from Australia' (exhibition catalogue), Kantz, Berlin, Germany, 2003. Evolution, Tasmanian Museum and Art Gallery, Hobart, Australia. Tofts, Darren, Interzone: Media Arts in Australia, Craftsman House, 2005, pp. Tech / No / Zone, Museum of Contemporary Art, Taipei, Taiwan. Israel, Glenis, Essential Art, Jacaranda, 2007, pp. Kelly Gellatly, 101 Contemporary Australian Artists, National Gallery of Victoria, 2012, p. 170-171. Love Me Love My Lump, Monash Centre and Dryphoto Gallery, Prato, Italy. Reena, Jana, Review of Patricia Piccinini: Nature's Little Helpers at Robert Miller Gallery, tema celeste contemporary art, no. Omfamna Framtiden, Boras Museum of Art, Boras, Sweden.

Tiernas) Criaturas/(tender) Creatures, Artium, Vitoria-Gasteiz, Spain. Mori Art Museum, Medicine and Art: Imagining a future for Life and Love, Mori Art Museum, Tokyo, 2009, pp. Uemura, Hisashi, LUMP, Gap Magazine, 35704, pp. Perfection, The Science Gallery, Melbourne, Australia. ConVerge; where art and science meet, Art Gallery of South Australia, Adelaide, Australia. Lisbeth Brunnich, Science Illustrated, Denmark, Bonnier Publications, Issue 17, 2014, p. 22. Art and the Posthuman, Museum of Contemporary Art, Sydney, 2017, pp. Stadeus, Geert, and Snoeck, Patrick, Patricia Piccinini, Snoecks 2010, 2010, pp. Soft Core, Casual Powerhouse Arts Centre, Lake Macquarie City Gallery, Hawkesbury Regional Gallery, Bathurst Regional Gallery, Cowra Regional Gallery, Shoalhaven Arts Centre, Shepparton Art museum, Ararat Regional Art Gallery, Wagga Wagga Art Gallery, Sydney, Lake Macquarie, Hawkesbury, Bathurst, Cowra, Nowra, Shepparton, Ararat, Wagga Wagga, Australia. Taylor, Kerry, Artist's Infatuation with a Baby Beast, The Age, 16-Mar-1999, News p. 7. Consciousness, Kibla Portal, Kibla, Slovenia. Patricia Piccinini received a BFA from the Victorian College of the Arts, Melbourne in 1991. Photography is Dead! Davies, Suzanne, The Idea of the Animal (exhibition catalogue), RMIT Gallery, 2006.

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Levine, Stacey, Looking Together: Writers on Art, University of Washington Press, 2009, p. 36, 45. Deliquescence, First Draft Gallery, Sydney, Australia. Michael, Linda, Love Me Love My Lump: Patricia Piccinini Photographs (exhibition catalogue), Monash University Museum of Art, Melbourne, 2003. Encounters: Honoring the Animal in Ourselves, Palo Alto Art Center, Palo Alto, CA, USA. Gregory, Chris, Indivisibles, Eyeline, Spring 1994, pp. 782, January 2000, p. 188-189. 2nd Asian Art Biennale, National Taiwan Museum of Fine Arts, Taipei, Taiwan. Barren, Sonia, Pushing the Limits of Acceptability, The Canberra Times, 18-Feb-1993, p. 25. Hype: Fashion, Art and Advertising, RMIT Gallery, Melbourne, Australia. Alternative Realities tour, Government Museum & Art Gallery, Chandigarh, India. Somerville novelists and poets. Setsuko, Nakamura, Prism: Contemporary Australian Art, Bridgestone Museum of Art, Ishibashi Foundation, 2006, pp 71-77.

Wonderland: through the Looking Glass, KadE Kunsthal, Amersfoot, The Netherlands. Blue: Matter, Mood, and Melancholy, 21c Museum Hotel, Louisville, USA.

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