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Also known simply as Lubavitch, which means "city of brotherly love" in Russian, this sect is composed of adherents to the strict teachings and customs of Orthodox Judaism. He was playing on the sidewalk near his apartment and was killed when one of the cars in Rebbe Menachem Schneerson's motorcade jumped the curb. A close reading of the section "Mirrors" and the implication of the title Fires in the Mirror helps to reveal Smith's commentary on how black and Jewish perceptions of their own identities make it possible for them to blame each other for the historic oppression of their racial groups and to direct all of their contempt and rage about racial injustice at each other. How do you think your view of the events would be different if you had not seen Smith's play, but had only encountered the situation in the media? Rabbi Joseph Spielman sadly describes how, though Gavin Cato was killed through no malicious intent, angry blacks began running through the streets, shouting for Jewish blood. Fri, April 16 @ 7:30pm. Jewish characters such as Rabbi Joseph Spielman, Michael Miller, and Reuven Ostrov do not acknowledge any community ties with blacks and identify black anti-Semitism with historic anti-Jewish massacres in Germany and Russia. The play was a runner-up for the Pulitzer Prize, and the critical reaction to it was overwhelmingly positive. At the same time, however, Smith is also interested in theories of historical understanding. During the introduction of the play, Smith states, "in the gaps between the places, and in our struggle to be together in our differences", which meant that despite the Jewish and black community being in one place seemingly together, they were divided in their perceptions and actions towards each other. No Blood in His Feet – Rabbi Joseph Spielman describes the riot events; he believes that blacks lied about the events surrounding the death of the boy Cato in order to start anti-Semitic riots. He rose to a prominent role in the black community in 1986, after he organized protests in Howard Beach, where a black man had been chased into the street by a white mob and then killed by a car. A woman faces the camera, her voice nasal and New York. In the next scene, an anonymous Lubavitcher woman tells the story of a black child coming into her house on Shabbas, the Jewish holy day, to switch off their radio.

Fires In The Mirror Play Summary

In "Bad Boy, " an anonymous young man contends that the sixteen-year-old blamed for Yankel Rosenbaum's murder is an athlete and therefore would not have killed anyone. Fires in the Mirror is divided into themed sections. He explains that what is "devastating" him is that there is no justice because Jews are "runnin' the whole show. " Norman Rosenbaum, the brother of the slain student, says, "My brother was killed in the streets of Crown Heights/for no other reason/than that he was a Jew. " Rabbi Joseph Spielman. Achievements, " in New Republic, Vol. In "The Coup, " Roslyn Malamud contends that the blacks involved in the rioting were not her neighbors, and she blames the police department and the leaders of the black community for letting things get out of control.

Brustein describes the play's commentary about race, and stresses that it vividly expresses emotions such as grief and rage "with an eloquent, dispassionate voice. One quote is from the monologue of Letty Cotton Pogrebin. Identity is a definitive issue in Fires in the Mirror; it preoccupies characters, including the Reverend Al Sharpton, "Big Mo" Matthews, Rivkah Siegal, and several of the anonymous black and Lubavitcher men and women. The characters consistently provide their perspectives on whether racial harmony is possible in the United States, and many discuss how to go about achieving this goal. Smith composed Fires in the Mirror by confronting in person those most deeply involved—both the famous and the ordinary. The full title of Anna Deavere Smith's play is FIRES IN THE MIRROR: CROWN HEIGHTS, BROOKLYN AND OTHER IDENTITIES. Angela Davis is the speaker in the only scene in the section "Race. " Robert Sherman then contends that the English language is insufficient for describing and understanding race relations. Her way of working is less like that of a conventional Euro-American actor and more like that of African, Native American, and Asian ritualists. Anonymous Lubavitcher Woman. She is also a sensitive sociologist, and a gifted actress and mimic.

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For example, in a fairy tale, an evil but beautiful woman looks into a mirror and sees a witch. " In 1970, she was placed on the FBI Most Wanted List and was imprisoned on homicide and kidnapping charges, of which she was acquitted in 1972. Even more remarkable, she has dealt with one of the most incendiary events of our time—the confrontation of blacks and Jews following the accidental death of Gavin Cato in Crown Heights and the retaliatory murder of an innocent bystander, Yankel Rosenbaum—in a manner that is thorough, compassionate, and equitable to both sides. At the time of the riots, the Lubavitcher Grand Rebbe, or spiritual leader, was Rabbi Menachem Mendel Schneerson, who many Lubavitcher Jews considered to be the Jewish Messiah. Reverend Al Sharpton. She focuses on how she feels like she is not herself and that she is fake. Fri March 26-Sun April 25, 2021. George Wolfe is the producing director of the New York Shakespeare Festival, for which Fires in the Mirror was written. Smith works differently. As a solo performer, Smith also invokes discourses of performance theory and vinuosity, both of which have shaped her reception by academic and Modem Drama, 39 (r996) 609 610 JANELLE REINElT popular critics. Although twenty police officers were injured, the police were somewhat restrained in their response, partly because of sensitivity at the time due to the recent brutal beating of Rodney King by police officers in Los Angeles, which was caught on videotape and broadcast throughout the nation. George C. Wolfe's description of his "blackness" is similarly unclear. If this were the case, the title Fires in the Mirror would refer to an image of the riots from the perspective of an outside observer, as though each character was a mirror within the telescope and the play itself was the telescope. Are we to take Anna Deavere Smith's productions on their referential vector, as referring to racial tension in Crown Heights and South Central, or solipsistically as instances of the performance of identity and selfhood?

In the preface to Mo's scene, Smith writes, "Mo's everyday speech was as theatrical as Latifah's performance speech, " referring to the famous rap artist and actor Queen Latifah. In the next scene, "16 Hours Difference, " Rosenbaum describes his reaction at the time he heard about his brother's murder. Although many performers displayed red ribbons symbolizing their sympathy for aids victims, there was more implied concern over that problematic patient, the ailing city of New York, which inspired a variety of pep talks both from presenters and winners. Smith then began a professorial career teaching at universities, including Yale, New York University, and Carnegie Mellon. Smug and self-satisfied, Sonny Carson warns of another "long hot summer, " and Sharpton, flying to Israel in a media-savvy effort to arrest the driver of the car that struck Cato, announces, "If you piss in my face I'm gonna call it piss, I'm not gonna call it rain. " The themes include elements of personal identity, differences in physical appearance, differences in race, and the feelings toward the riot incidents. It uses the same format as Fires in the Mirror and has received wide critical acclaim, including an Obie Award. Fires in the Mirror was Anna Deavere Smith's groundbreaking response. Smith uses so many opposing voices because, when taken as a whole, they create a profounder impression of what really happened in Crown Heights than a single perspective would, even if this single perspective were supposedly unbiased. Brustein, Robert, "Awards vs. 28–30. Costume Designer - Margarette Joyner. They was trying to pound him.

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But in so doing, she does not destroy the others or parody them. Directed by Katrinah Carol Lewis. Follow her documentary-play process by interviewing three or four people on a topic of your choice, transforming these interviews into brief theatrical scenes, and performing your scenes for an audience. Each scene is drawn verbatim from an interview that Smith has held with the character, although Smith has arranged the subject's words according to her authorial purposes. Not only do African Americans win Muhammed's prize for competitive suffering, but "we are the chosen… the Jews are masquerading in our garments. " A Lubavitcher rabbi and a spokesperson in the Lubavitch community, Rabbi Spielman maintains that Jews share no blame whatsoever in the Crown Heights racial riots.

Gavin Cato's father, Mr. Cato is a deeply traumatized man with a "pronounced West Indian accent. " One anonymous black man sees significance in the fact that the blue-and-white colors of New York police cars and Israeli flags are the same. A Lubavitcher resident of Crown Heights, Ms. Malamud blames black community leaders for instigating the riots and blames the police for letting them get out of control. Trudell is an independent scholar with a bachelor's degree in English literature. In "Rain, " Reverend Al Sharpton discusses why he went to Israel to pursue legal action against the driver who killed Gavin Cato. Letty Cottin Pogrebin argues in the next scene that blacks attack Jews because Jews are the only racial group that listens to them and views them as full human beings. Michael S. Miller then argues that the black community in Crown Heights is extremely anti-Semitic. The Crown Heights section collects all these tensions into an overpowering conclusion.

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Rich, F., "Diversities of America in One-Person Shows, " in New York Times, Vol. For this reason, he argues, the sixteen-year-old athlete accused of killing Yankel Rosenbaum is innocent. "A very pretty Lubavitcher woman, with clear eyes and a direct gaze, " Rivkah Siegal is a graphic designer. Birthed from a series of interviews with over fifty members of the Jewish and Black communities, the Drama Desk award-winning work translated their voices verbatim, and in the process revolutionized the genre of documentary theatre. Rayner, Richard, "Word of Mouth, " in Harper's Bazaar, Vol. A shaman who loses herself cannot help others to attain understanding. A "playwright, poet, novelist, " Ntozake Shange is a profound abstract thinker. How does his/her public perception compare to his/her portrayal in Smith's play? Rage – Richard Green says that there are no role models for black youths, leading to rage among them.

He died of stab wounds. When Smith performs her play, she acts in the role of each interviewee, embodying his/her voice and movements, and expressing his/her message and personality. Me and James's Thing – Al Sharpton explains that he promised James Brown he would always wear his hair straightened and that it was not due to anything racial. Everybody's favorite show, obviously, was that nostalgic paean to a more innocent Manhattan, Guys and Dolls, excluded from Best Musical because it wasn't new.

Smith may even be suggesting that there is something deeply unknowable about history, which is why she refuses to take any objective stance on the situation in Crown Heights. The violence quickly escalated and later that evening Yankel Rosenbaum, an Orthodox Jewish rabbinical student who was visiting from Australia, was murdered by a group of Black youths in retaliation for Cato's death. Cato died a few hours later, and members of the black community began to react with violence against Lubavitcher Jews and the police. 168, April 30, 1993, p. 44.

On the suspended brick facades are white paint patches smudged in muddy colors. Empathy is the ability to allow the other in, to feel what the other is feeling. Reuven Ostrov describes how Jews get scared because there are Jew haters everywhere. The events of August 1991 revealed that Crown Heights was possessed: by anger, racism, fear, and much misunderstanding.

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