The Woman In The Glass Poem, Amusing Ourselves To Death

July 8, 2024, 6:09 pm

During the month that followed, I did the only thing that felt right: I read Anne Carson's long poem "The Glass Essay" every day. Typing these lines, even now I feel my heartbeat double for a moment with syncopated desire. Through Armantrout’s Looking Glass: The Poem as Wonderland. The urge to reread flowed out of my desire to sink further into the poem and its speaker and remain there, a desire that in turn flowed out of the deeper, inane desire (Carson's, my own) to sink further into the memory of the departed lover and remain there. That no one else can see. It stands, neutral and unflinching, …a human body.

The Woman In The Glass Poem Dale

For a few days it was just something I was muddling through, a poem I was still in the midst of deciphering. Sanctions Policy - Our House Rules. My little legacy of picking and sorting, my attempt at being fruitful. Annie Dillard didn't have a cat at Tinker Creek, so it couldn't have left bloody paw-prints on her chest, yet I reveled in that messy metaphor for love. They can be served fried and green or red and juicy. Secretary of Commerce.

Girl In The Glass Poem

Last updated on Mar 18, 2022. I'm the worst for tearing up at even a mention of optometry. But a poem is more like a riddle, more like the concept of one hand clapping. And now here was Luck, another outwardly successful person who had his own share of doubts and regrets, and empathized with my feeling of unfitness and unease. Even if we've lived it, we don't understand our story. Did you know fruit breathes? More briefly, though what a relief. As time slides and aligns and blurs, so too does Carson's speaker feel her present self slip into a past self of the hot last April, inhabiting simultaneously a then-"she, " trapped in memory, and a now-"I, " writing in the present. On the cusp of dark and dawn, I would lie in my narrow bed and try to memorize the whole thirty-eight-page poem. This self that reads other people is not exactly the same as the self that might read a poem—but it is not entirely different. The sandwich necessitates the soup. In another poem, it may be equally true to say, "How shall we speak of death but in the splurge of roses…" and the question will mean differently but mean nonetheless. Girl in the glass poem. Maybe that's where the Peter Pan complex comes in, and graduate school, and too many loans and not enough time and wondering when to replace curriculum vitae with resume. Not one side and the other side, but so many others.

The Woman In The Glass Poem Blog

Maybe as poets we're too attached to words, and that's the problem. The importation into the U. S. The woman in the glass poem blog. of the following products of Russian origin: fish, seafood, non-industrial diamonds, and any other product as may be determined from time to time by the U. I wonder if a part of me still believed, childishly, that the repeated incantation of a name or a phrase is a powerful summoning spell—you know, "Bloody Mary, Bloody Mary, Bloody Mary, " "Beetlejuice, Beetlejuice, Beetlejuice. " Serves notice that at any time. Robert Hass says it best in "Meditation at Lagunitas" when he writes: "a word is elegy to what it signifies. " After you walk away from a last good-bye, the terrain of everyday life is suddenly overlaid with the haunted geography of an entire relationship. I became a professional reader.

Woman In The Glass Poem

While you walk the water's edge, turning over concepts. Sarah Chihaya is the author of The Ferrante Letters: An Experiment in Collective Criticism (with Merve Emre, Katherine Hill, and Jill Richards) and Bibliophobia. This Nude, I think, is somewhere between "I" and "Thou, " between body and what we might call spirit, at once physical and mystical, "the body of us all. What was he trying to say? Lady in the glass poem. Through the window, after the heavy storm, I can follow mysterious. Soon I even felt a tug of fond familiarity reading about things that I don't do or feel. I only started to perceive these twinned phenomena somewhere around week three of the Carson regimen. No one has yet looked at. A poet might call it an oxymoron, which is partly right, but not quite. Each poem is both not-like-the-others and exactly-like-the-others. Driftwood and shipwreck, last night's.

An autonomy, an entirety. I stand outside it now, whaching, but no longer reflected, no longer reflecting. In fact, there was something reassuringly animal-like about the predetermined hours of that month, as though the poem were the morning scoop of grain I needed to ruminate on to give me enough energy to move through the day. Don't try to argue with me on this. ) It sounded so flimsy, so ungrounded. Somehow, whaching is less an action than a state of being: To be a Whacher is not a choice. Finding the right books to love felt as natural and unplanned as finding the right people to love. He was, as he said, "bad at faces. " Even Charlotte expresses a fearful respect for the secrecy of those alarming "recesses": the deep, secret self that her sister guarded so sternly. That never balanced, goes on shuffling its millenniums. Poems can also seem to be about exile, about escaping from or reconciling with our past.

The business of information presentation has been reduced, as Postman concludes, to a game of "trivial pursuit" (113). To the modern mind it would appear irrelevant, even childish. Television gave a new coloration to every political campaign, to every home, to every school, to every church, to every industry, and so on. It tends to reveal people in the act of thinking, which is as disconcerting and boring on television as it is on a Las Vegas stage. The danger is not that religion has become the content of television shows but that television shows may become the content of religion. This is useful for the student who does not wish to become overwhelmed with theory, but would still like to have an understanding of who these theorists as well. Who, we may ask, has had the greatest impact on American education in this century? What people knew about had action-value. In the 1980s, this view changed with a massive intrusion of illustrations, photographs and slogans. For instance, "light is a wave; language, a tree; God, a wise and venerable man; the mind, a dark cavern illuminated by knowledge" (13). The television commercial has been the chief instrument in creating the modern methods of presenting political ideas. Postman concludes this chapter by reminding us of the purpose of his book. Of course, a TV production can be used to stimulate interest in lessons, but what is happening is that the content of the school curriculum is being determined by the character of TV. Amusing Ourselves To Death. But there are other mediums of communication from painting to hieroglyphics to what he refers to as "the alphabet of television" (10).

What Is One Reason Postman Believes Television Is A Mythique

In fact the processes Postman describes in the book have probably sped up dramatically. If your question is not fully disclosed, then try using the search on the site and find other answers on the subject another answers. In a culture without writing, human memory is of the greatest importance, as are the proverbs, sayings and songs which contain the accumulated oral wisdom of centuries.

Lastly, it might be a matter of interest to anyone willing to invest the time to do the research to compare Postman's complaint against media glut with Noam Chomsky's complaint against the propaganda model of corporate media in his book Manufacturing Consent: The Political Economy of the Mass Media. And, of course, which groups of people will thereby be harmed? Postman claims that we are losing our sense of what it means to be well informed. Or the rates of inflation, crime and unemployment? Consequently, Postman argues, photographs are without context (or meaning). Since then, these traits have only become magnified with new mediums and new technologies. Moreover, the television screen itself is so saturated with our memories of profane events, so deeply associated with the commercial and entertainment worlds that it is difficult for it to be recreated as a frame for sacred events. The printing press gave the Western world prose, but it made poetry into an exotic and elitist form of communication. In the late 20th century—the time in which Postman is writing—Las Vegas becomes "the metaphor of our national character and aspiration, its symbol a thirty-foot-high cardboard picture of a slot machine and chorus girl" (3). What is one reason postman believes television is a mythique. Would you argue that other cities equally merit the distinction of "representative of the American spirit"? The winners, which include among others computer companies, multi-national corporations and the nation state, will, of course, encourage the losers to be enthusiastic about computer technology.

What Is One Reason Postman Believes Television Is A Myth In Current Culture

If, as Postman states, television is myth, then what he is arguing for is the idea that television by its very nature and by what it is capable of conveys a complex series of ideas that is already deeply embedded within our subconscious. Postman concludes with the reflection that Galileo's remark that the language of nature is written in mathematics was a metaphor because Nature does not speak (15). On the other hand, television obviously has its advantages: it can serve as a source of comfort and pleasure to the elderly, the infirm and the lonesome, it has the potential for creating a theater for the masses or for arousing sentiment against phenomenons like racism or the Vietnam War. What is one reason postman believes television is a myths. The process of elevating irrelevance to the status of news had begun. First, Postman makes the distinction between a technology and a medium.

The third point is that while television does not hinder the flow of public discourse, it does lead to its pollution. Postman argues that the Printing Press created the American Revolution, and therefore the early Modern United States. Television has by its power to control the time, attention and cognitive habits of our youth gained the power to control their education. As Xenophanes remarked twenty-five centuries ago, men always make their gods in their own image. Many of them fall in the category of contradictions - exclusive assertions that cannot possibly both, in the same context, be true. Our present-day judicial system, however, relies on codified laws. What is one reason Postman believes television is a myth in current culture. I do not think we need to take these aphorisms literally. Media as Metaphor: These metaphors change as the media changes. First, that we always pay a price for technology; the greater the technology, the greater the price.

What Is One Reason Postman Believes Television Is A Myths

"Epistemology" is a philosophical subject devoted to the study of knowledge). So, if Postman argues that Las Vegas is a contemporary metaphor for the American spirit, then we should politely spare him the time to indulge us with an explanation. The people whom Moses led through the desert were beginning to emerge as a culture. Aware of legacy, he states "we must be careful in praising or condemning because the future may hold surprises for us. This is a slimmed-down paraphrase of Amusing Ourselves to Death. From whom will you be withholding power? Then they told them that computers will make it possible to vote at home, shop at home, get all the entertainment they wish at home, and thus make community life unnecessary. For Postman, the school-room definition of metaphor still fits; metaphor "suggests what a thing is by comparing it to something else" (13). People will welcome the seemingly nonthreatening and friendly change. What is one reason postman believes television is a myth in current culture. Its popularity not only among kids but also among parents is due to its entertaining way of educating and to the belief it could take the responsibility of parents to look after their children. No one senses any immediate rush. This is an important point to remember, just as it is important to remember that Postman does concede that the definition of "American spirit" has evolved, or rather, changed from century to century.

The best solution to the problems television has created, according to Postman, lies in schools and education. Instead of using television to control education, teachers can use education to control television. Or you might reflect on the paradox of medical technology which brings wondrous cures but is, at the same time, a demonstrable cause of certain diseases and disabilities, and has played a significant role in reducing the diagnostic skills of physicians. That is also why we must be suspicious of capitalists. He does know that Americans in the 20th century tend to romanticize and embrace new technology. A question we must keep in the back of our minds, then, is: "How does Postman define 'junk? '" That is the way of winners, and so in the beginning they told the losers that with personal computers the average person can balance a checkbook more neatly, keep better track of recipes, and make more logical shopping lists. Please note: one of the advantages of reading Postman's book is that it provides a sort of brief who's who among critics. Amusing Ourselves to Death: Public Discourse in the Age of Show Business Part 2 Chapter 11 Summary | Course Hero. The alphabet, printing press, and the mass distribution of photographs all altered the cultures of Western societies. Perhaps we can say that the computer person values information, not knowledge, certainly not wisdom. Dystopian fiction, or fiction about imaginary states where citizens live undesirable lives, often reflects the fears of the author's culture.

"We do not refuse to remember; neither do we find it exactly useless to remember. Forms of media favour particular kinds of content and therefore are capable of even taking command of a culture, in other words: the media of communication available to a culture have a dominant influence on the formation of the culture's intellectual and social preoccupations. Ultimately, Postman argues, television is not to blame for the invention of the "Now... this" mentality; rather, it is a consequence, (or offspring, as he puts it) between telegraphy and photography. In the 18th and 19th century America was such a place, perhaps the most print-orientated culture ever to have existed. He said, "Science can purify religion from error and superstition. Postman cites other traits that both trivialize and dramatizes news. Perhaps the best way I can express this idea is to say that the question, "What will a new technology do? " They did not mean to reduce political campaigning to a 30-second TV commercial. Mumford calls the clock "power machinery" that creates a specific "product. " The language used in those days was clearly modelled on the style of the written word, it was practically pure print. It is not ignorance but a sense of irrelevance that leads to the diminution of history.

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