Chord: Don't Get 2 Close (2 My Fantasy) - Ween - Tab, Song Lyric, Sheet, Guitar, Ukulele | Chords.Vip, Used Suzuki Outboards For Sale In Florida Keys

July 8, 2024, 8:07 pm
The material that is here does a good job of showing Ween's strengths as a live band at this point, or at least points that I consider strengths. The Mollusk is, quite simply, an excellent album that is also comical, and that aspect puts it many notches above what they were doing before. Chord: Don't Get 2 Close (2 My Fantasy) - Ween - tab, song lyric, sheet, guitar, ukulele | chords.vip. The album was originally intended to depict thousands of peppers with one white pepper standing alone in the middle. The opening couple of minutes are bit of directionless hippy rambling, but once the bongos pick up the pace, leading into those great noisy discordant riffs, which in turn become a launching pad for incredible noise, I'm happy as can be. 'Cuz I know I'm legit. I realise that some things are subjective, and I'm aware of the difference between opinion and fact, but I honestly can't fathom how a fraud like Chocolate and Cheese can be regarded as a classic when confronted to The Mollusk, and how a person, after listening to this record, still can think the "shocking" lyrics of Spinal Meningitis still have any humourous or artistic value. Three of the tracks fall cleanly within the "art rock pastiche" label that often gets attached to this album, and if "The Golden Eel" seems a little weak in comparison, it's only because the other two are so magnificent (and "The Golden Eel" is definitely really good, with a fascinating riff, epic-style guitar breaks and silly but attractive lyrics).

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It's almost as if they were trying to make a prime art rock album. One of the things you could say about Transdermal Celebration is that its fake-profound lyrical phrases are satire or parody of some of prog rock's more pompous lyrical tendencies. My favorite Ween album is Quebec, but Chocolate & Cheese is pretty close. Feel the grass softly. A Dean Ween side project with Guy Heller. It's also very tempting to guess that "Big Fat Fuck" comes from around the same time, but it's actually from the 1999 album (in shortened form). Some other top-notch examples of simultaneously nailing and mutating the genres theyre hitting are "I Gots a Weasel" (be-bop jazz), "Never Squeal" (the kind of upright-bass-y jazz one hears behind Beatniks), "Squelch the Weasel" (pretentious 70s art-rock-ish acoustic balladry in imitation of old-time folk), "Marble Tulip Juicy Tree" (60s psychedelic rock), and of course, the glorious "L. M. Ween don't get 2 close lyrics chords. L. Y. P" (the greatest Prince imitation that could ever exist).

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Lots of people tend to rate The Mollusk higher, and I guess that one (in addition to having its own great collection of songs) makes better use of cool keyboard sounds and lush production, but I find myself losing focus in the middle of that one in a way that I don't on this album (well, except during "Candi"). Ween are making a full blown artistic statement with this album, but they didn't need to abandon their sense of humour. The Mollusk is, quite simply, an. Is a great Mollusk outtake that absolutely would have made that album better if it had made the cut instead of "Polka Dot Tail, " as it would have provided a solid side-one counterpart to "Buckingham Green" in the department of "epic guitar/synth prog anthem" (it also has a bit in the middle that sounds vaguely like the main riff of "To Cry You a Song" by Jethro Tull). 2-2--------|-0-0--------|-2-2--------|-1-1-1-1-2-2-2-2-4-4-4-4-2---1---|. D. (Great / Very Good). In other words, I like these versions just fine. Inaudible ranting for a bit). That being said, "Tried and True" might be my favorite. Maybe some people like to eat it. Just as good, and even more startling in context, is the ballad "I Don't Want it, " a totally straight-laced number that once again (just as with, say, "Stay Forever" from the last album) shows that Ween could write "normal" songs on par with anybody. I've only really recently gotten into the wonderful world of Ween. Ween don't get 2 close lyrics video. So yes, this album feels a bit like an anti-climax, and has the feel of Ween working at 85% effectiveness, but an 85% effective Ween is just fine by me. Scream softly you are able.

Ween Don't Get 2 Close Lyrics

The biggest highlights of the album have clearly discernable inspirations; "Gabrielle" (from the C&C demos) is a dead-on imitation of a Thin Lizzy rocker, and "Monique the Freak" is a return to the band's love of Prince. But what about the guitar-synth solo on "I'll Be Your Johnny On The Spot"? Plus I crack up at the acoustic intro and outro that have nothing to do with the rest. The main thing I'd say in response is that the "humor" aspects of Ween are rather exaggerated and misrepresented by their detractors. "I'll Be Your Jonny on the Spot" takes the metallic hillbilly music of the second half of "Up on the Hill" and updates it for the electronic age, filling the track with ultra-processed guitar solos that sound more like synth bloops than anything, and the juxtaposition of the music with the lyrics makes for a bizarre and awesome experience. What the hell is the guy saying in "Mourning Glory"? Ween don't get 2 close 2 my fantasy lyrics. When i find you in your sleep - sarah. Ween left the Pod in 1991 and took up residence in two different locations.

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Overlooked by fools. What about the Quebec album art? Yes, the song is just empty theater beyond a certain point, but lots of great prog rock (and rock in general, but that's for another time) is basically empty theater, and I love lots of prog rock just fine. A kaiser bun"), done as a lightweight pop song with high-pitched vocals (which practically sound angelic by this point in the album).

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Maybe something else. And with some love from above. This photo, instead, is in the gatefold of the album. If u think that I'm a loser. And finally, "She Wanted to Leave" brings the ELP aspects full circle; the vocals and lyrics are big and pompous (about betrayal by a woman long cared for), but the music lives up to them, and I definitely feel a strong emotional surge in me during the final vocals over the big orchestral keyboard swell. When I realised that the only comment this album has is negative I decided to write a comment. In other words, Ween somehow have made a prog album not by having prog usual characteristics, but rather by evoking the kind of sensations you get on this genre. This is every bit as essential to a Ween collection as The Mollusk, and I would recommend it to just about anybody. The band did a free concert over the internet and this recording was made and sold via their website. They do speak and perform in the film (you even get glimpse of the Ween-mobile), and watch them eat mushrooms (but they're from Safeway). Ween - Don't Get 2 Close (2 My Fantasy) spanish translation. I'd be hardpressed to think of a more difficult stretch to sit through on a Ween album than the eight track stretch starting with "Demon Sweat" and ending with "Mononucleosis. " If you have anywhere near the same lean towards messy pop albums that I do, and you haven't decided you hate Ween, then this album is a must-own.

It doesn't help at all that "King Billy" is about six minutes long, either. In fact, I could only get over that nasty feeling and like this band once I gave a few serious listens to The Mollusk, which in my opinion is the very first album in which the band put their souls into. "brown" albums and they lost their cool. But I seal it with a kiss. DON'T GET 2 CLOSE Lyrics - WEEN | eLyrics.net. It's a story/fable about some pumpkins and their run in with a guy. And so Gene gives a nod to Bobby Ogdin on piano, Charlie McCoy on harmonic, Russ Hicks on steel guitar (giving all three a chance to play some nice licks), and finally Muhammed Ali. I love the way the band successfully recognizes early on that "Weasel" is a funny word and that songs that mention weasels are automatically 20% funnier than they'd be without mentioning weasels.

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