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Southern Soul great Z. Hill - who would become the main spokesperson for the Blues in the '80s - cut this smoking, ultra funky protest tune in 1971, getting down HARD on everything from pollution, poverty, Vietnam, and recession to political corruption. Tracks on a muddy road crosswords eclipsecrossword. That ominous, scratching guitar moves under the rhythm like a snake on the prowl, with blasts of horn all over the place. No Butterflies / Ad Lib (1968) [Single]. Then there is the sweet, rumbling "Remember the Children", a brassy groovin' jam exuding righteousness. The ferocious wah wah guitars and razor sharp conga fills form the perfect backdrop to Mayfield's brilliant lyrical righteous condemnation of the 'hustlin' man'. Main Street People (1973).

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Concluding the set is the peerless title-track; "Superfly" is a romping, bass-driven funk jam that gives Mayfield one last chance to speak his mind on the motivations - and ultimate uselessness of - the entire Superfly character. Who indeed, is gonna take the weight? On top off it all, there was the message. Right On! Classic Political Hard Soul-Funk Albums, Singles & LP-Tracks. Hard to Stop (1973). The breezy jazz-funk groove of "Why Must Our Eyes Always Be Turned Backwards" sounds sweet and care-free, especially with its swirling string charts, but this time the message is much more outspoken. A take on his friend Joe South's poignant "Redneck" follows, a country-funk rock groove that has Swamp Dogg at his most cynical; rapping about the "all-American lover" who is exactly "what's happ'nin".

It was purchased at a time the city thought it might need another reservoir, which never proved to be the case. Among the most eager were newly arrived land developers, who added to the chaos fueled by the still secretive plant with new subdivisions intended to house its workers. An amazing album; rich in sound, mood and FUNK. "Like everyone who travels this critical link in the state's rail network, we want to see this emergency work completed as quickly as possible, but at the same time we have to be certain that trains are running on stable tracks and passenger safety is never compromised. The title track is equally poignant; an acid tripped funk tale of a mother forced to prostitute herself in order to support her kids. With deceptive ease, Curtis Mayfield brings together old church spirituals and contemporary social affairs, riding them over an electrified gospel beat. Later that year, the first of Penniman's single-family houses were sold, setting off a far-flung exodus of structures that would send more than a dozen to Williamsburg, an untold number to Newport News and at least 70 shipped by barge to Norfolk, Thornton says. In my opinion, "H20gate Blues" is the man's most biting, most vicious and most fonkay sermon: You would have to search the full lyrics to fully grasp the poignancy of this tune, but let me at least mention that Heron gets down hard on Nixon, Spiro Agnew (in fact, the poem is dedicated to the erstwhile VP), Ronald Reagan, Lester Maddox, Strom Thurmond, Haldeman-Ehrlichmann-Mitchell-Dean, Patrick Gray and on the entire Nixon administration, the feds, Republican donkeys, rightwing America as well. Instead, Mayfield came up with a funky, realistic, no-holds-barred musical soundscape confronting the ills of ghetto life that opened the paths to the hustles glorified in the movie. Metrolink service in Antelope Valley slowed or canceled after flash floods damage tracks. Simply put: there's no joy here. Six million artillery shells were to be loaded with high explosives at the retooled and expanded plant, the Army Ordnance Department later reported. When Penniman's first shell-loading line began operating three days ahead of schedule on June 17, 1918, about half the country's munitions workers were men, according to Ordnance Dept. Regardless, "To the Establishment" deserves its cult-status. He solidified his 'together'-persona by opening this '72 release with the rousing, optimistic self-help funk tune "Git on Up and Do It", calling out for oppressed people everywhere to 'carry on the fight' like Martin Luther King did.

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The Staples' also threw in a couple of great cover versions: "The End of Our Road" naturally was a Marvin Gaye classic, but it's turned into a thinly veiled protest song here. The so-called 'blaxploitation'-genre could well be dubbed the minstrel shows of the 1970s. Strangely, the single was not a huge hit. The rhythm keeps flowing, like a slowpaced Gospel Train that only picks up speed on the bridges and the swooping horn break. "A lot of their factories were located out in the middle of nowhere — and that meant getting people to leave home and come to them. Haunted keyboard sounds and distorted guitar open this heartrendering track that plays out as the biography of the thousands of unknowns dwelling in the inner cities. For reasons of brevity, however, I would like to stipulate one track here in particular, the devastating "H20gate Blues". "At Penniman there are reported to be many cases and a number of deaths, " the Daily Press reported, "but the numbers are too large to be credible. LP-Tracks: "Message From a Black Man", "Slave"*. Tracks on a muddy road crossword puzzle. The Nature Council was born. The quintessential anti-war protest anthem, one of Motown's hardest waxings and delivered by Edwin Starr, the giant with the gargantuan pipes! Funkadelic's scariest, nastiest, darkest waxing.

Donny Hathaway's 'Live' album is just perfect. In 1972, well before they took off in the Mothership, Parliament cut this bonecrushing funk-rock anthem that's rife with social commentary. It didn't chart, but a reappraisal of the single (as well as the entire LP) is long overdue. Lake Roland hazard: muddy trails. Baltimore County must act | READER COMMENTARY –. There was uncertainty about the war. James Brown's ultra funky band waxed this smouldering double-sided slab of funk right during the Watergate crisis. If you go early in the morning, you'll see a variety of bird and mammal tracks in the wet sand. Hard-hitting stuff, featuring a propellin' bass and a acid rock guitar solo.

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We also think of the frustrations of all involved: the seemingly simple goal, the incomprehensible difficulty of just moving forward, and the staggering numbers of men killed. Most likely he taught himself this philosophy, coming into the world as he did half dead, in a shack in the most backward part of South-Carolina. The funky rhythms and stupendous sax soloing create an unnerving, almost spooky atmosphere when the Great Reverend's voice chimes in. LP Track: "Ohio/Machine Gun"*. Muddy crossword puzzle clue. Graham Central Station (1974). Lyrically, though, the gloom still runs thick. Also released as a single - as parts 1 and 2 - it's the full version of "We Got to Live Together" that wound up on the epynomously titled 1970 album that you'll want to hear. The sarcastic, hard-hitting "Home Is Where the Hatred Is" is another funk filled, powerful message as is the loping "Or Down You Will Fall", while the laid-back "I Think I'll Call It Morning", the sweet "Save the Children" and the brooding, sorrowful "A Sign of the Ages" tread calmer waters rhythmically. In my years here, I have watched the Red Trail deteriorate at a time when its usage has increased.

Unrestrained by executive suits (and censors), Swamp Dogg went for his on this highly politically charged, warped, funk-rock-soul-country opus that preceded both Marvin Gaye's What's Going On and Sly & The Family Stone's There's a Riot Goin' On. The internal combustion engine made tracked military vehicles feasible. LP-Tracks: "Check It All Out", "Super Cool"*. Ray Davis' deep, booming bass recites a spooky, poetic tale of misery and madness, while sinister guitars, marching drums and weeping, shrieking yelps and howls create a very unsettling mood... Larry Graham left the fast withering Sly & The Family Stone in 1972 to thump out his own groove with the band Chocolate Milk - which would soon be rechristened Graham Central Station.

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The Black Kafka experience is followed by the, at first glance, unsuitably mellow "Golden Lady", but somehow the bridge between sheer anguish and the one moment of loving positivism works brilliantly. A druggy trip gone terribly wrong is put to music with the metal melting hardcore funk of "Super Stupid", sporting a rumbling beat provided by Tiki Fulwood and some guitar pyrotechniques straight from the Saturn Delta. The equally amazing instrumental - check that clarinet - that follows is aptly titled "Think"... This was Mayfield's last great (and last message driven) album. Speaking as an elder statesman, King pushes black youth to 'take it further'... Talking Loud and Saying Nothing (Parts 1 & 2) (1972) [Single]. Next up is a heartwrenching lamentation on the death of a black G. I. in 'Nam, "Did You Hear What They Said? And in all fairness, they are more often than not set to hard driving grooves... Nonetheless, the inclusion of an updated, even darker sounding version of his own "Hard Times" is due more to the surrounding stench of a changing, post-Watergate American society, the disintegrating civil rights movement and the increase of braindead, escapist entertainment (e. g. disco) than sheer exhaustion. LP-Tracks: "Hair", "People", "Ghetto"*. Truly a bonechilling lament on the dangers of heroin, narrated from the viewpoint of 'King Heroin' itself, which makes the poem even more confronting. "If I Had My Way" is pleasurable enough, but nowhere near as in-your-face as the sermons that preceded it.

The poem is sheer genius... a cynical, sarcastic vocal attack on American hypocricy a. All you need is binoculars and a love of the ocean. If anything, the Babysitters' interpretation is stupendously in-the-pocket, and Huey again is in fine form. Culled from live performanes given on December 31, 1969 and January 1, 1970 at the Fillmore-East in New York, 'Band of Gypsys' is a smouldering slab of electrified, molten funk metal that brims with attitude, passion, cynicism, hope and assertiveness. The hard-hitting "Message From a Black Man" is a wah wah stew of no-let-up rumble funk, and "Slave" takes the fuzz just a bit further... Buying a Book (1969). He speaks on racial harmony ("Mighty Mighty (Spade & Whitey)", black self-help ("I Plan to Stay a Believer", "We've Only Just Begun"), paranoia ("Stare & Stare"), drugs ("Stone Junkie") and the overall state of a country reeling from Vietnam, a conservative backlash, inner city despair and a slew of political assassinations ("If There's a Hell Below, We're All Gonna Go").

Another low-fi soulful tune, sparsely orchestrated, that actually has Mayfield singing '... Caterpillar tracks work on the same principle as a conveyer belt. The threat of fire and explosion was constant, too, prompting a plant-wide ban on matches and open flames as well as strict attention to the job and rubber-soled safety shoes. War / He Who Picks a Rose (1970) [Single]. Among the many activities organized by the YWCA was a uniformed female drill corps whose 65 members learned to march, wheel, twirl and shoulder arms with dummy rifles. The turret sits in a wide circle at the center of the hull. Before you know it, you feel like you've been dumped at an abandoned station where a tired, beaten up locomotive is trying to gather up momentum. On its way back to the Via Princessa station in Santa Clarita, the train was halted when floods affected another segment of the track. "Thousands of dollars are spent here every week among tradesmen and at boarding houses. The Sound Experience, a large, funky outfit from Philadelphia, recorded this seminal funk-rock opus in 1973. Unfortunately, the cover art was not retained for the CD release. It had electricity, sewer, water and hard roads, too, all at a time when pigs roamed free on muddy Duke of Gloucester Street.

While Mayfield's preceding two albums Sweet Exorcist and Got to Find a Way were mostly a-political affairs - especially when placed next to Curtis, Curtis / Live!, Superfly and Back to the World, he returned to the preaching fold with his '75 effort, the dark, brooding 'There's No Place Like America Today'. Breaking Up Somebody's Home / Little Brother (Make a Way) (1972) [Single]. We seem to be experiencing more very heavy rains, and the Red Trail cannot handle that.
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