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Goliards are famous for their inspired performances during the services at the monastery of Santo Domingo de Silos in Spain. What will change in our relationship to documents of the past once we look at them as analogous to our own artistic concerns? To understand more about how CST and singing could work together I interviewed Hamburg-based singer, singing teacher and CST therapist Stefanie Hoffmann. For Memorial Day, A Requiem from our own Ben Luxon. Dynamics range from extreme soft to very loud. Johan Smeulders finished his first Bachelor degree in 2011 as a euphonium player at the Fontys Conservatoire in Tilburg.

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Research questions: When it comes to the manifold surviving solo lute intabulations from around 1500, where is the line between "unwritten" and "written" intabulation? The techniques were applied on three distinct piano passages of Richard Strauss' melodrama for narrator and piano "Enoch Arden". In order to find out what the essence of Music Theater is, I analyzed the three major components of Music Theater. Listen to this excerpt from benjamin britten's young person's guide to the orchestra. play play - Brainly.com. She sang, for example, the alto solos in Bach's St Matthew Passion, Haydn's Stabat Mater, Rossini's Petite Messe Solennelle and she sang the role of Hänsel in the staged opera of Hänsel und Gretel from Humperdinck. I used Op een Kwal en Adieux de l'hotesse Arabe in order to explain how a piece changes through a rehearsal process and adapting the piece for either stage of radio.

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Title of Research: "Art of drumming within jazz piano trio". These areas happen to be crucial for singing as well. Finally, I try to point out that the modern tuning of the Viennese double bass could cause alteration of the historical fingerings. Yet, in spite of this, Bach composed numerous works which includes notes that are not playable on the model of oboe that we know were used during his lifetime. Klaske de Haan studied horn at The Royal Conservatoire in The Hague and at the Fontys Conservatoire in Tilburg with Herman Jeurissen. The research contains two phases: First, the analysis of his compositions. What do musicians that are 'speaking' that music have to say about meaning in music, singing, performing or creating what composer Louis Andriessen describes as 'talkative' music? From this perspective, it is relevant to examine them. Listen to the following excerpt from benjamin brittens first. She currently studies with Noa Frenkel and sings projects with The Netherlands Chamber Choir as a part of the master's course. He started playing drums at age 5. The knowledge of ornamentation was an expected requirement for all well-trained singers in the 17th century, ornamentation was not merely a decoration, but a tool in emphasizing the importance of the text.

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He has been teaching modern trombone at the Royal Conservatoire since 2006. At the centre of the paper you will find the games and exercises themselves – the content of the toolbox, called 'Invitations'. Appeldoorn and a piece for Ives ensemble and Slagwerk Den Haag in Amsterdam. These conclusions, where appropriate, take the form of music-theoretic notes including harmonic, thematic, and formal analytic sketches, historical background, and/or a survey of available recordings. Anna Marieke Zijlstra. The first step was to understand the theory and the melodic and rhythmic information involved, encountering challenging topics like quartertones and complex rhythms and song structures. Listen to the following excerpt from benjamin brittens guildford. A range of skills can be developed and theoretical concepts understood when singing activities are sequenced well and taught carefully. Listening to that excerpt, a casual listener would be more inclined to do which of the following? This has put me in contact with leaders of orchestras from around the world. A noticeable difference in my classical performing has also come about through the research into storytelling and freeness in folk performance in combination with classical performance.

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Indeed, voice and harp were held up as the ideal way to perform epic poetry, a reflection of the mesmerising contrast and colour their combined forces could deliver. Name: Patrick van Deurzen. 16th-Century Keyboard Tablature as Performance Notation. With the help of my coach, composer Theo Verbey, I made my own arrangement for two pianos of Enescu's Romanian Rhapsody no. The sources used include treatises and instrument manuals from the time, indications in the scores, records of basso continuo groups in concerts, and the opinions of present scholars on the subject. The defining characteristic of polyphony is the independence and equality of simultaneous melodic lines. Music Appreciation Test: the Baroque Period, Construction and Sound Production, the Romantic Period | FreebookSummary. These conclusions offer modern performers a wider range of interpretive options when approaching this work, allowing for a more nuanced performance which brings together the elements of drama, music, philosophy and entertainment in a cohesive manner. New details about his life and compositions are uncovered in this work, which is accompanied by a critical edition of his 'Solo à Flauto Traverso è embalo' in D minor. From cello repertoire which contain fingerings, and I will analyze them in terms of the.

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No longer supports Internet Explorer. It can also help a singer whose development is impaired by physical obstacles that pure functional voice training cannot solve. Diminutions, Divisions, and Doubles in Viol Literature. The texture of this example is... :17. Abstract: This research wants to investigate through a personal vocal approach the nature of the connection between music and text in Claudio Monteverdi's and Luciano Berio's compositions. Also, as part of my artistic presentation, I will base my conclusions by using videos of my experimentations on a surviving basse de violon from 1715 and a cello from the 19th century. When thinking about the relationship between composition and improvisation, a. composition can be seen as a set of predetermined musical structures that function as a. sort of "map" for the improvisers to navigate, while at the same time providing a cohesive. Listen to the following excerpt from benjamin brittens and prince. About this exposition. This excerpt is an example of a medieval religious type of composition known as [] 4:32. Newsletter of the Mozart Society of AmericaMozart's Turkish Tattoo: Hybridity in Die Entführung aus dem Serail. Their shape and construction affect the articulation that we naturally get with them.

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Is there a further link between his output and his position in various European ensembles, suggesting a development in line with other composers? Title of Research: Subversive Climes: Exploring the role of exoticism in Les Indes Galantes. Performed on authentic instruments. How to develop a methodology for the beginning horn player, from an aural approach to musical literacy? This exposition argues that there are indeed other ways in which these different families of diminution-style ornaments differ, and for this purpose it examines texts and scores from each group. I focus on understanding the social function of musical performance, and by conceptualizing certain basic principles, I shape my own performative approach to Nikolai Obukhov's solo piano works. Title of Research: Singing in the Music Theory Lesson - A model for how singing can be used as an effective teaching tool for a practical approach to the subject of music theory.

Can creating orchestral transcriptions of this piano piece confirm or change current perceptions of its character and meaning; and can studying the relationship between the orchestral and piano duo versions of Rachmaninoff's Symphonic Dances help inform my arrangements of his Variations? The Music of Johann Rudolph Ahle. Research supervisors. On the other side the inspiring, rich, creative and fascinating writing of Luciano Berio that with his poetics of the gesture seems to reveal in a direct and elegant way a world of infinite possibilities of colorful combinations between musical sounds and words. The Walton Viola Concerto is one of the most famous and recognized compositions in the viola repertoire. The richness and variety of sound in field recordings has inspired numerous electro-acoustic and soundscape compositions, but what about the traditional composition realm? Each performance is unique, and depends on many factors including a performer's physical and psychological condition, their connection to the repertoire, and most importantly, the conditions presented by a given venue. This is why my research tries to look backwards in time with the aim of exploring the main attributes of Brahms's Romantic style in music for string instruments. The first dance of the "Caprice Basque" op. The research findings also show that some ornaments were meant to be used only in certain expression and they help me to better 'compose' French ornamentation in future performances. Exerpt c. The following excerpt is most likely from a. concerto. Research Supervisor: Kathryn Cok.

Which combination of beat and tempo is present in this excerpt? A Study on Ornamentation and Expression in French vocal Music (1650-1750). In this study, these songs were taught to students between the ages of 5 and 10 with activities designed to create awareness of gestures, bar hierarchy, light cadences and other important baroque features, in a fun and approachable way. Additionally it seems that a greater level of abstraction would not necessarily make the music less accessible to the audiences if such systems of abstraction take into account research into human physiology and considers the every-day environment. The output is threefold: 1. Besides the hard work I was also dealing with anxiety and the outcome was that I was not progressing in my practice and performance. He is remembered as the principal author of the Declaration of Independence and third U. Secondly, I wanted to know how this piece has been influenced by Romanian folk music.

Effects of visual instructions in one-on-one violin lessons. The intervention highlighted a need for more resources, as well as safe spaces to discuss practice and performance in Conservatoires. Clearly, studying these elements while working closely with singers would be one solution, as would choosing a more performer-centric notational system including expression markings and other indications that invite singers to find the intention or subtext behind the music—all of which can help the singer's instrument work more effectively. During the baroque and classical period many different ways of holding the violin existed, often at the same time. In 2009, looking to develop further skills on the double bass and to challenge himself in a. more competitive musical environment, he moved to the Netherlands to pursue studies at. Position until the beginnings of twentieth century. To illustrate these possibilities, I have recorded several versions of the same Concerto with different basso continuo instrumentations. Research Questions: To what extent do the shape and construction of the bow affect the violinist's sound and to what extent do her/his use of the bow and musical choices influence the sound? The former is typically female only, and usually performs accompanied by a piano. Out of the "Engine Rooms". Title of Research: Double bass homemade recordings. They all experienced the VC-SPG to be adding a new dimension to their creative process. Ideological and practical factors however discourage modern performers from implementing this evidence into their own performances: pressures of fidelity, authenticity, text-centricity, and the diminished role of performers as compared to composers have all contributed to the constant scrutiny of performers' interpretative choices, and have increased the risks associated with performances viewed as expressively licentious.

My investigation is divided into two clear sections: on the one hand, chapters one and two provide the reader with a theoretical framework (biography, style, and influences; on the other hand, chapters three and four constitute the practical and most important part of my research. We can conclude that the VC-SPG is not only a new practical tool, but also a creative instrument for electronic-music and art. This paper explores the structure and performance of musical phrases according to sources from the second half of the eigtheenth century.

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